We had our final crit today! Great projects concluding our brief2B:Realize. Here are couple pictures. Thank you very much to our external critiques Daewha Kang (Associate Zaha Hadid Architects), Lawrence Friesen (GenGeo), Stephen Melville (Director Ramboll UK), James Solly (Buro Happold), Michael Clarke and to our colleagues Anna Liu and Roberto Botazzi.
Our studio is back after a month of holidays. Here are couple pictures from our tutorials today. Impressive progress from our students including a 3D printed potato-based fractal civilization (Andrei Jipa), a series of recursive bamboo structures for the Durga Puja festival (Dhiren Patel), an origami roof for the fashion week (Charlotte Yates), a spiky eco-retreat to meet the Sami people (Natasha Coutts), a temple for the Burning Man festival made of reciprocal plywood components (Joe Leach), a hypar tower for the Damyang Bamboo festival (William Garforth-Bless), a Pop-Up book drop pavilion (Ieva Ciocyte), a surreal Dali Museum in the Park (Lorna Jackson), a promenade concert in Hyde Park (Sarah Shuttleworth) and many more… We are so excited by the diversity of projects this year and the clear continuity between our brief2A and brief2B. Looking forward to the final crit on Thursday 15th May!
Inti: The Incan Sun God, his face portrayed as a gold disk from which rays and flames extended. Inti is the Sun and controls all that implies: warmth, light and sunshine. During the festival of Inti Ramyi, held during the Summer Solstice, Inti is celebrated with much drinking, singing and dancing - special statues are made of wood are burned at the end of the festival. This sculpture is an extended physical manifestation of this; decadent ritualism and a spiritual experience.
‘Timber-Wave'; a plywood instillation emerging and crashing on to the desolate Black Rock Desert. This breaking wave a remnant of the retreating Quinn River, draws on imagery of both waves and dunes provoking thoughts of the original Burning Man Beach Parties and surfing counter culture. Simultaneously the design evokes concepts of the Silk Road as a mirage of a giant wave appearing from across the playa to be discover by wondering burners.
The design of the Timber Wave was driven by creating an interactive environment. In daytime, people are encourages to climb and search between the interwoven plywood structure. Open sun soaked communal areas create areas for group contemplation. Solitary areas for single travelers have also been designed as places of refuge from the intense sun, wind and dust storms hoping to encourage serendipity. At night the wave truly come alive as a monument to the sea. Bathed in varying blue tones of color the spectacular structure is a mysterious beacon within the dark playa.
‘Timber-Wave’ structure consists of 3 layers of 12 intersecting plywood ribbons. Each ribbon consists of a varying number of water bent plywood components con-caving and con-vexing together forming a rigid series of tensioned and compressed sections. The result is a homogeneous structure creating a beautiful ergonomically sized spaces. Each ribbon a series of circular penetrations in the form of an abstracted water pattern. Creating foot and hand holes for climbing as well as allowing dramatic shadows to be cast throughout the structure and across the playa. At night the penetrations allow the lighting of the instillation to spill across the playa and between the layers of the structure.
1:20 Scale Model
The petal has long been a surround for the reproductive parts of the flower, its varied forms and designs attract numerous species of animals and insects, enabling its existence to grow and spread. As a result, the petal will not only encounter pollen of its own species, but also that of many differing plants.
Taking people as the pollen. This caravanserai will attract people both day and night, providing a space for play and discussion, encouraging communication, observation and interaction.The Petal Hypothesis sits expressively within its setting. Exposing the raw structure of the plywood ‘petals by day and revealing the elaborate display of the EL wires by night.
Configured in a circular array, each ‘petal’ is construct from just two ‘pods’ which in themself only take 1 sheet of plywood to construct. Connected together to generate one ‘2d’ curve, the end points then bend around to complete the monocoque structure.
These pods are then mirrored to generate the ‘petal’ form and anchored to the ground. The act of fixing the extreme widths and mirroring the pods minimises the natural flex within the ‘pod’ and enables it to be a strong physical structure.
In place of the EL wires, a cloth stress skin has been incorporated to the top tier of petals. This not only provides shading during the day but also absorbs the light from the EL wires and distributes it across the whole surface.
Observe – Sit around and within the ‘petals’ to observe the activities at its centre.
Inhabit – Climb the structure and occupy one of the many vantage points within the ‘petals’
Connect – Share memories and congregate either on mass at its centre or privately within the petals
So easily can fun and playfulness be neglected within Architecture. My proposal stands as an embodiment of these aspects, creating an area of inclusive participation, a space that can be explored and is only complete when occupied.
Fallen from the sky and tied down in the middle of Black Rock City ‘The Cloud’ stands as a mirage for weary-eyed travellers from far and wide, a beacon of sanctuary that creates spaces that provide respite from the harsh conditions of the desert using permeable fabric to create a cool atmosphere diffusing light within daylight and emitting a soft glow from within in the evening.
Walking through the dessert after a long journey along the silk road ‘The Cloud’ emerges as a whimsical mirage. Mimicking the form of a cloud the easily recognisable form is transformed into Architecture; a sinuous billowing form allowing us to fulfil a childhood dream, walking on clouds.
The principle structure of the cloud is composed of hollow rolled steel tubes ,sandwiched between thick perforated fabric, strategically placed to withstand the extreme wind conditions as well as human interaction. Elevated from the floor these tubes are secured to the ground using the kandy kane re-bar method.
Keeping the form soft and playful so that not only is the installation safe but also malleable, responding to people climbing and walking it, bungee rope is securely looped over the steel tubes and threaded through the ‘ground’ fabric to hold it up, as illustrated in the accompanying drawing.
Interactivity is an integral part of the installation. Bringing to life the stranded cloud people are encouraged to explore the piece climbing in, over and around it, finding intricate crevasses that provide discreet hidden entrances to the inner cloud where an intimate social environment softly illuminated by the diffused daylight, providing an area of solace.
DIMENSIONS // 5000mm(l) x 3100mm(w) x 4100mm(h)
We just finished our last tutorials of the first term! Congratulations to all the students for the great three months and looking forward to the remaining two terms.
Here are couple pictures of the projects we have seen during the last tutorials. Where do you suggest building the structures over the summer?
Merry Christmas & best wishes for the New Year!!