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Philosophical Statement:

Inti: The Incan Sun God, his face portrayed as a gold disk from which rays and flames extended. Inti is the Sun and controls all that implies: warmth, light and sunshine. During the festival of Inti Ramyi, held during the Summer Solstice, Inti is celebrated with much drinking, singing and dancing - special statues are made of wood are burned at the end of the festival. This sculpture is an extended physical manifestation of this; decadent ritualism and a spiritual experience.

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Inti incorporates 288 petals are self-assembled into 12 concentric rings, with each petal representing the hours of the day and each ring every month of the year. These are held together using mirror polished circular brackets, designed to catch the light and reflect circles of sunlight around the structure interior. Inti's focus is the sunrise; as the sun rises on the playa, Inti is designed to catch the light at this precise moment and funnel through the piece, enveloping and bathing the burners inside with it's warmth and spirit.

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01 Day

Philosophical Statement:

‘Timber-Wave’; a plywood instillation emerging and crashing on to the desolate Black Rock Desert. This breaking wave a remnant of the retreating Quinn River, draws on imagery of both waves and dunes provoking thoughts of the original Burning Man Beach Parties and surfing counter culture. Simultaneously the design evokes concepts of the Silk Road as a mirage of a giant wave appearing from across the playa to be discover by wondering burners.

The design of the Timber Wave was driven by creating an interactive environment. In daytime, people are encourages to climb and search between the interwoven plywood structure. Open sun soaked communal areas create areas for group contemplation. Solitary areas for single travelers have also been designed as places of refuge from the intense sun, wind and dust storms hoping to encourage serendipity. At night the wave truly come alive as a monument to the sea. Bathed in varying blue tones of color the spectacular structure is a mysterious beacon within the dark playa.

02 Night

Physical Statement:

‘Timber-Wave’  structure consists of 3 layers of 12 intersecting plywood ribbons.  Each ribbon consists of a varying number of water bent plywood components con-caving and con-vexing together forming a rigid series of tensioned and compressed sections.  The result is a homogeneous structure creating a beautiful ergonomically sized spaces. Each ribbon a series of circular penetrations in the form of an abstracted water pattern.  Creating foot and hand holes for climbing as well as allowing dramatic shadows to be cast throughout the structure and across the playa. At night the penetrations allow the lighting of the instillation to spill across the playa and between the layers of the structure.

03 Day

04 Internal Image

Axo.indd

1:20 Scale Model

01 Portfolio Review.indd

Link: issuu.com/henryturner/docs/portfolio?e=0/6863548

The petal has long been a surround for the reproductive parts of the flower, its varied forms and designs attract numerous species of animals and insects, enabling its existence to grow and spread. As a result, the petal will not only encounter pollen of its own species, but also that of many differing plants.

Taking people as the pollen. This caravanserai will attract people both day and night, providing a space for play and discussion, encouraging communication, observation and interaction.1.1 model an aerial planThe Petal Hypothesis sits expressively within its setting. Exposing the raw structure of the plywood ‘petals by day and revealing the elaborate display of the EL wires by night.

Configured in a circular array, each ‘petal’ is construct from just two ‘pods’ which in themself only take 1 sheet of plywood to construct. Connected together to generate one ‘2d’ curve, the end points then bend around to complete the monocoque structure.

These pods are then mirrored to generate the ‘petal’ form and anchored to the ground. The act of fixing the extreme widths and mirroring the pods minimises the natural flex within the ‘pod’ and enables it to be a strong physical structure.

In place of the EL wires, a cloth stress skin has been incorporated to the top tier of petals. This not only provides shading during the day but also absorbs the light from the EL wires and distributes it across the whole surface.sequential diagrams

The Petal Hypothesis 1:20 ModelInteractivity:

Observe – Sit around and within the ‘petals’ to observe the activities at its centre.

Inhabit – Climb the structure and occupy one of the many vantage points within the ‘petals’

Connect – Share memories and congregate either on mass at its centre or privately within the petals

Night Render

The Cloud at Burning Man

The Cloud at Burning Man

So easily can fun and playfulness be neglected within Architecture. My proposal stands as an embodiment of these aspects, creating an area of inclusive participation, a space that can be explored and is only complete when occupied.

Fallen from the sky and tied down in the middle of Black Rock City ‘The Cloud’ stands as a mirage for weary-eyed travellers from far and wide, a beacon of sanctuary that creates spaces that provide respite from the harsh conditions of the desert using permeable fabric to create a cool atmosphere diffusing light within daylight and emitting a soft glow from within in the evening.

Principle Stress Analysis

Principle Stress Analysis

Walking through the dessert after a long journey along the silk road ‘The Cloud’ emerges as a whimsical mirage. Mimicking the form of a cloud the easily recognisable form is transformed into Architecture; a sinuous billowing form allowing us to fulfil a childhood dream, walking on clouds.

The principle structure of the cloud is composed of hollow rolled steel tubes ,sandwiched between thick perforated fabric, strategically placed to withstand the extreme wind conditions as well as human interaction. Elevated from the floor these tubes are secured to the ground using the kandy kane re-bar method.
Keeping the form soft and playful so that not only is the installation safe but also malleable, responding to people climbing and walking it, bungee rope is securely looped over the steel tubes and threaded through the ‘ground’ fabric to hold it up, as illustrated in the accompanying drawing.

Structural Breakdown

Structural Breakdown

The Cloud Perspective

The Cloud Perspective

Orthographic Cut

Orthographic Cut

Interactivity is an integral part of the installation. Bringing to life the stranded cloud people are encouraged to explore the piece climbing in, over and around it, finding intricate crevasses that provide discreet hidden entrances to the inner cloud where an intimate social environment softly illuminated by the diffused daylight, providing an area of solace.

Physical Model 1:5

Physical Model 1:5

Evening View of The Cloud

Evening View of The Cloud

DIMENSIONS // 5000mm(l) x 3100mm(w) x 4100mm(h)

We just finished our last tutorials of the first term! Congratulations to all the students for the great three months and looking forward to the remaining two terms.

Students completed both briefs (brief01:systems and brief2A:festival) and are starting the case studies of events as part of our last brief (brief2B:realise).

Here are couple pictures of the projects we have seen during the last tutorials. Where do you suggest building the structures over the summer?

Merry Christmas & best wishes for the New Year!!

John Konings's towering gridshell.

John Konings’s towering gridshell.

John Konings's towering gridshell.

John Konings’s towering gridshell.

John Konings's towering gridshell.

John Konings’s towering gridshell.

Andres Jippa's 3D prints, driven by Chaos theory's strange attractors.

Andres Jippa’s 3D prints, driven by Chaos theory’s strange attractors.

Andres Jippa's 3D prints, driven by Chaos theory's strange attractors.

Andres Jippa’s 3D prints, driven by Chaos theory’s strange attractors.

Andres Jippa's 3D prints, driven by Chaos theory's strange attractors.

Andres Jippa’s 3D prints, driven by Chaos theory’s strange attractors.

Andres Jippa's 3D prints, driven by Chaos theory's strange attractors.

Andres Jippa’s 3D prints, driven by Chaos theory’s strange attractors.

Andres Jippa's 3D prints, driven by Chaos theory's strange attractors.

Andres Jippa’s 3D prints, driven by Chaos theory’s strange attractors.

Andres Jippa's 3D prints, driven by Chaos theory's strange attractors. Construction Component.

Andres Jippa’s 3D prints, driven by Chaos theory’s strange attractors. Construction Component.

Henry Turner's Curved Intersecting Plywood Wave Structure

Henry Turner’s Curved Intersecting Plywood Wave Structure

Ieva Ciocyte's Flame Tower made of Intersecting plywood components

Ieva Ciocyte’s Flame Tower made of Intersecting plywood components

Sarah Shuttleworth's Moebius Strips made of Steel Stars.

Sarah Shuttleworth’s Moebius Strips made of Steel Stars.

William Garforth-Bless' Bamboo Hammock Amphitheatre

William Garforth-Bless’ Bamboo Hammock Amphitheatre

William Garforth-Bless' Bamboo Hammock Amphitheatre

William Garforth-Bless’ Bamboo Hammock Amphitheatre

Very enjoyable crit day for DS10 at Westminster University. It was our second cross-crit of the year and students showed their proposal for Brief2A, building an interactive structure for Burning Man or the festival of their choice.

Thank you very much to our helpful crits Harri Lewis (Ramboll RCD our engineers for last year’s Shipwreck and Fractal Cult), Marie-Isabel de Monseignat (Tutor at DRS1 Chelsea College of Art), Dusan Decermic, Anthony Boulanger and Katherine Herron. Here are couple pictures:

Marie de Monseignat is holding the Plywood Spiralohedrons

Marie de Monseignat is holding the Plywood Spiralohedrons

Jessica Beagleman's Plywood Spiralohedrons

Jessica Beagleman’s Plywood Spiralohedrons

Sarah Shuttleworth's large metal origami model.

Sarah Shuttleworth’s large metal origami model.

Paul Thorpe's Twisting Plywood pods 1:1 Model

Paul Thorpe’s Twisting Plywood pods 1:1 Model

Ieva Ciocyte's Burning Euclid Wall

Ieva Ciocyte’s Burning Euclid Wall

Joe Leach's Burning Seed Reciprocal Structure

Joe Leach’s Burning Seed Reciprocal Structure

Sarah Stell's wind powered animals

Sarah Stell’s wind powered animals

Josh Haywood's beautiful Digital Muqarnas

Josh Haywood’s beautiful Digital Muqarnas

Henry Turner's intersecting plywood wave structure.

Henry Turner’s intersecting plywood wave structure.

Will Garforth-Bless' bamboo and fabric hypars

Will Garforth-Bless’ bamboo and fabric hypars

Lorna Jackson's Spacer Fabric Cloud

Lorna Jackson’s Spacer Fabric Cloud

Charlotte Yates' Origami Roofs

Charlotte Yates’ Origami Roofs

Naomi Danos' Folding roofs.

Naomi Danos’ Folding roofs.

Mark Simpson's mirror diamonds in the desert.

Mark Simpson’s mirror diamonds in the desert.

Here are all the webinars given by David Rutten, the creator of Grasshopper:

Introduction to Grasshopper with David Rutten:

David Rutten’s Introduction to Grasshopper Webinar:

Advanced Topics in Grasshopper:

You can also access Rhino tutorials on their Vimeo Channel (https://vimeo.com/rhino). You will see amazing tutorials such as an intro to the Scan & Solve structural analysis (Michael Clarke wrote a post on it previously: http://wewanttolearn.wordpress.com/2012/11/08/scan-and-solve-for-rhino/):

Welcome to Freeform Modeling In Rhino

 

Another wonderful Thursday! Here are some pictures of the day. Keep it up guys, beautiful work.

Andrei Jippa's RepRap 3d printed radiolarias with digital model

Andrei Jippa’s RepRap 3d printed radiolarias with digital model

Andrei Jippa's 3d printed radiolarias with some variations of one type.

Andrei Jippa’s RepRap 3d printed radiolarias with some variations of one type.

Lorna Jackson's beautiful catenary and puffy fabric Roofs

Lorna Jackson’s beautiful catenary and puffy fabric Roofs

Paul Thorpe's innovative reciprocal frame

Joe Leach’s innovative reciprocal frame

Garis Lu's diagrams of the standing waves using physics in the computer.

Garis Iu’s diagrams of the standing waves using physics in the computer.

Charloote Yates' Muira Ori Pattern Origami

Charloote Yates’ Muira Ori Pattern Origami

Henry Turner's laser cut See Urchin Skin

Henry Turner’s laser cut See Urchin Skin

Sarah Shuttleworth's Hankin-Inspired Perspex Models

Sarah Shuttleworth’s Hankin-Inspired Perspex Models

After our post on Jake Hebbert‘s tutorial, here are some great Grasshopper tricks to create boids or fractals by Kristof Crolla, Architect at LEAD and teacher at Honk Kong University on his vimeo channel:

Below: Boids behaviour with Hoopsnake

 

Below: Fractals using Hoopsnake:

 

Below: Catenary Network on Kangaroo:

 

Below: Explaining the path mapper:

 

Below: Organizing hexagons on flat list

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After posting about the book explaining basic concepts of computational design, The Nature of Code by Daniel Shiffman, I thought it would be helpful to convert all the example into Grasshopper files. Well here you go: Jake Hebbert has done it on youtube, exciting tutorials using python for Grasshopper. Here are couple example of tutorials extracted from Jake’s youtube channel:

Walker:

Walker02:

Bouncing Balls:

Gravity between movers:

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