Harumi Nakashima

I came across an article from the Architecture/Art website Muuuz  which Andrea Graziano posted on his very prolific  Facebook page. The sculpture below were created by a Japanese artist called Harumi Nakashima (1950- Bio Below). He took part of the Sodeisha group in Japanese Modern Art, his main interest lie in the Earth and its constant dialogue with his own hands as well as Movement (source). The sculptures are currently exhibited at the Galerie Nec Nilsson and Chiglien in Paris.

“Born in Japan in 1950, Harumi Nakashima studied at the Osaka Art College, where he switched from a design to a ceramics concentration. He has since gained notoriety for his free-form sculptures and his dot patterning. He also did a series similar to the Ecstatic Series, in which he did not employ his characteristic dots. Without the patterning, the dynamic bubbling shapes are nevertheless undulating and vibrant.”  Artist’s statement: “Attaching a coil pinch by pinch as if I listen to the voice of the clay, clay, techniques, and I become a trinity to produce a work.” – Honoo Geijutsu article From the Museum of Arts and Design 

 Above: Porcelain Sculpture from the “Suffering Form” Series

Author: Arthur Mamou-Mani

Arthur Mamou-Mani AA dipl, ARB/RIBA FRSA – is a French architect, director of Mamou-Mani Architects, specialised in a new kind of digitally designed and fabricated architecture. He is a lecturer at the University of Westminster and owns a digital fabrication laboratory called the Fab.Pub which allows people to experiment with large 3D Printers and Laser Cutters. Arthur has been selected as one of the RIBAj's 2017 cohort of Rising Stars. He has won the Gold Prize at the American Architecture Prize for the Wooden Wave project installed at BuroHappold Engineering and since 2016, he is a fellow of the The Royal Society for the Encouragement of Arts, Manufactures and Commerce. Prior to founding Mamou-Mani in 2011, he worked with Atelier Jean Nouvel, Zaha Hadid Architects and Proctor and Matthews Architects.

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