The Stone Forest of Madagascar

I just came across this stunning landscape in Madagascar, which is featured in a great article by National Geographic.

Not only is this landscape extraordinary in its appearance, it also holds species that cannot be found elsewhere. “On an island famous for its biodiversity (90 percent of the species here are endemic, found nowhere else on Earth), the 600-square-mile protected area is an island unto itself, a kind of biofortress, rugged, largely unexplored, and made nearly impenetrable by the massive limestone formation—the tsingy—running through it.[…] New species are frequently described from the isolated habitats within—a previously unknown coffee plant in 1996, a minuscule lemur in 2000, a bat in 2005, a frog two years later.”

The Tsingy is a very efficient natural barrier: “In the west the tsingy walls in a large portion of forest. The stone serves as a barrier to human settlement and to cattle, which threaten wildlife habitat all across Africa with their plodding hooves and insatiable appetites. The tsingy also acts as a firebreak, shielding the forest from fires—both natural and those set by humans.”

Images from the article, access the photogallery

Author: Arthur Mamou-Mani

Arthur Mamou-Mani AA dipl, ARB/RIBA FRSA – is a French architect, director of Mamou-Mani Architects, specialised in a new kind of digitally designed and fabricated architecture. He is a lecturer at the University of Westminster and owns a digital fabrication laboratory called the Fab.Pub which allows people to experiment with large 3D Printers and Laser Cutters. Arthur has been selected as one of the RIBAj's 2017 cohort of Rising Stars. He has won the Gold Prize at the American Architecture Prize for the Wooden Wave project installed at BuroHappold Engineering and since 2016, he is a fellow of the The Royal Society for the Encouragement of Arts, Manufactures and Commerce. Prior to founding Mamou-Mani in 2011, he worked with Atelier Jean Nouvel, Zaha Hadid Architects and Proctor and Matthews Architects.

Leave a comment