Mapping potential locations

Mapping potential locations

Cosmogony, as in the coming into existence, is a network of collaboration and participation in the city of burning man. Cosmogony is based on 50 000 components (10 variations of them) which will be given to 50 000 burners and their interaction will enable the social phenomenon of participation. People have their own freedom to make their own creations. Creative participation is the only constraint to make this project work.

People receive one single component with their ticket to the festival. The project is enabled only when the people intermingle with each other. The assembly process can be interesting and fun. It also invites curiosity. It’s manipulation does not always indicate any particular use or any specific location. The beauty of the potential structure(s) is that no one knows where it will appear, it isn’t organized and it just grows. What is suggested is the direct interaction of humans.

A manual of directions for possible structures to be made will be given to burners as a start point. A variety of scales, from a chair, to a bed, to a dancing platform to a mega structure. The aim of this project regardless of one’s physical capabilities, skills, interests or geographical location is to engage in the creation of a mega structure by adding their component to it. A structure made by everyone that belongs to everyone. The assembly process is fast and unpredictable as the human’s creativity cannot be controlled . A series of experiments for the potentials of the manipulation of this system was tested by inviting a several people to create forms out of these components. The bigger scale will be tested in burning man city.

When the festival will be over, the burners will be able to disassemble the structure and take their components back home.

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TETRA is an installation that exploits the potential of mass participation to create a form that emerges from the interactions of hundreds of people with the construction system over a number of days.

Inspired by the work of R. Buckminster Fuller into space-packing polyhedra, it explores the unique three dimensional geometrical properties of the regular tetrahedron and related ‘tetrahelices’ [also known Boerdijk–Coxeter Helices]. Their geometries provide an invisible framework for the participants to work within. The modular tetrahedral construction system will be used by the participants to create forms that automatically diverge from one another.

These in turn provide spaces separated from other participants for individuals to pause and reflect on the location and nature of their surroundings. TETRA’s position out on the edge of Black Rock City means that once the structure starts to take shape, participants will be able to climb to positions that afford views across the city. Just as Burning Man asks participants to take a step back from the consumer capitalism, so TETRA allows participants to step back and view Black Rock City as a whole

TETRA is a modular kit of parts that are assembled by participants into a structure that changes form over the course of the festival. There are 160 modules, each one a tetrahedron made from four equilateral triangle shaped pieces of CNC cut exterior plywood. Each triangular face has a hole cut from its centre which, as well as decreasing the overall weight of the module, allows the modules to become rungs in a structure that can be climbed up, on, in and through.

The ply edges of the four plywood triangles are bound together with rope to ensure a joint that can transmit loads in tension from one sheet of ply to the adjacent two. There are pre-drilled re-enforced holes near each vertex to allow for adjacent modules to be bolted together with bolts and wing-nuts by participants.

Each module is designed for one person to carry while climbing sections of the structure already built. The participants are able to climb any of the structure that is already built, and bolt their new module onto the existing structure. Once built, participants are able to climb up, select a module to remove and move to another place. This means that the overall form is not set by the designer, but emerges from the collective desires of a large group of participants.

Because of the intrinsic geometry of tetrahedra and tetrahelices, the form will always contain diverging branches with inhabitable spaces within them.