Interim Portfolio Review

We just finished the interim portfolio review, students submitted their work so far in the form of a beautiful portfolio. We asked for 25 digital pages, Two beautiful A2+ prints, a working portfolio and an abstract. Here are some of the most complete portfolios we’ve seen:

Mark Simpson's portfolio
Mark Simpson’s portfolio, a diamond in the desert
George Guest's portfolio
George Guest’s portfolio, The Orbit
Ieva Ciocyte's portfolio
Ieva Ciocyte’s portfolio, The Flame Tower
William Garforth-Bless's portfolio
William Garforth-Bless’s portfolio, The Lotus Flower
Sarah Shuttleworth's portfolio
Sarah Shuttleworth’s portfolio, The Islamic Folding
Josh Haywood's portfolio
Josh Haywood’s portfolio, The Sun Temple
Llorna Jackson's portfolio
Lorna Jackson’s portfolio, The Anchored Fabric Cloud

28th November 2013 Cross-Crit 2

Very enjoyable crit day for DS10 at Westminster University. It was our second cross-crit of the year and students showed their proposal for Brief2A, building an interactive structure for Burning Man or the festival of their choice.

Thank you very much to our helpful crits Harri Lewis (Ramboll RCD our engineers for last year’s Shipwreck and Fractal Cult), Marie-Isabel de Monseignat (Tutor at DRS1 Chelsea College of Art), Dusan Decermic, Anthony Boulanger and Katherine Herron. Here are couple pictures:

Marie de Monseignat is holding the Plywood Spiralohedrons
Marie de Monseignat is holding the Plywood Spiralohedrons
Jessica Beagleman's Plywood Spiralohedrons
Jessica Beagleman’s Plywood Spiralohedrons
Sarah Shuttleworth's large metal origami model.
Sarah Shuttleworth’s large metal origami model.
Paul Thorpe's Twisting Plywood pods 1:1 Model
Paul Thorpe’s Twisting Plywood pods 1:1 Model
Ieva Ciocyte's Burning Euclid Wall
Ieva Ciocyte’s Burning Euclid Wall
Joe Leach's Burning Seed Reciprocal Structure
Joe Leach’s Burning Seed Reciprocal Structure
Sarah Stell's wind powered animals
Sarah Stell’s wind powered animals
Josh Haywood's beautiful Digital Muqarnas
Josh Haywood’s beautiful Digital Muqarnas
Henry Turner's intersecting plywood wave structure.
Henry Turner’s intersecting plywood wave structure.
Will Garforth-Bless' bamboo and fabric hypars
Will Garforth-Bless’ bamboo and fabric hypars
Lorna Jackson's Spacer Fabric Cloud
Lorna Jackson’s Spacer Fabric Cloud
Charlotte Yates' Origami Roofs
Charlotte Yates’ Origami Roofs
Naomi Danos' Folding roofs.
Naomi Danos’ Folding roofs.
Mark Simpson's mirror diamonds in the desert.
Mark Simpson’s mirror diamonds in the desert.

Final Crit – Thursday 16th May

It was DS10’s Final crit yesterday which concludes our BRIEF03:TEMPLE. Wonderful day with a wide spectrum of temples showing the concerns and fascinations of a group of twenty-one architectural students in 2013. A myriad of political and spiritual statements on today’s society helped by parametric design tools and physical modelling. Here is the list of all the themes that emerged in the third term:

  • Temple to Love and Lust in Brighton, U.K. – by Georgia-Rose Collard-Watson
  • Temple to Revolution in Tahrir Square, Egypt – by Luka Kreze
  • Temple to Making in the City of London, U.K. – by Michael Clarke
  • Temple to Vibrations on Mount Neru, Tanzania – by Dhiren Pattel
  • Temple to Crowdfunding the City of London, U.K. – by Sarah Shuttleworth
  • Temple to Infinity in the Mojave Desert, U.S.A – by Andrei Jippa
  • Temple to Augmented Reality near Oxford Street, London, U.K. – by Mark Simpson
  • Temple to Gin, near Kings Cross, London, U.K. – by George Guest
  • Temple to Permaculture, in Totness, U.K. – by Philp Hurrel
  • Temple to Bees, in the Olympic Park, London, U.K. – by Jake Alsop
  • Temple against Electro-Magnetic Radiations, in Snowdonia National Park, U.K. – by Chris Ingram
  • Temple against Pre-Packaged Meat, in Smithfield Market, London, U.K. – by Alex Woolgar
  • Temple to Bio-Polymers , in Thelford, U.K. – by Marilu Valente
  • Temple against Consumerism, in Selfridges, London, U.K. – by Jessica Beagleman
  • Temple to Online Knowledge, in the Sillicon Roundabour, London, U.K. – by Tim Clare
  • Temple to the Awareness of Death, in Mexico – by Thanasis Korras
  • Temple of Illusion, in South Bank, London, U.K.- by Daniel Dodds
  • Temple to Water on the Thames, London, U.K. – by William Garforth-Bless
  • Temple to Atheism in Lower Lea Valley Park, London, U.K. – by Emma Whitehead
  • Temple to Light in Elephant and Castle, London, U.K. – by Josh Haywood
  • Temple to Sun Worship in the Wyndham Council Estate, Camberwell London, U.K. – by Natasha Coutts

Thank you very much to all our external critiques: William Firebrace, Jeanne Sillett, Harri Lewis and Jack Munro.  Two weeks more to go until the hand-in of portfolios (28th May). Here are couple pictures:

Luka Kreze's thorned tensegrity architecture against dictatorship on Tahrir Square and a manual for revolution.
Luka Kreze’s thorned tensegrity architecture against dictatorship on Tahrir Square – A manual to start a revolution.
Jake Alsop's wax-generated temple for Bees
Jake Alsop’s wax-generated temple for Bees
Chris Ingram's Slate Community, away from electro-magnetic radiation
Chris Ingram’s Slate Community, away from electro-magnetic radiation
Marilu Valente's Digital/Physical experiement on elastic bio-polymer
Marilu Valente’s Digital/Physical experiement on elastic bio-polymer
Marilu Valente's diagramming of the  bio-polymer stretch
Marilu Valente’s diagramming of the bio-polymer stretch
Emma's  'Agora' - temple agora / forum for Sunday assembly -atheist congregation and for tech startup groups /music network Sofar sounds
Emma’s ‘Agora’ – forum for Sunday assembly – atheist congregation
Sarah Shuttleworth's Temple to crowdfunding - Kickstarter HQ
Sarah Shuttleworth’s Temple to crowdfunding – Kickstarter HQ
Crowdfunded structure for Sarah Shuttleworth's roof
Crowdfunded structure for Sarah Shuttleworth’s roof
Jessica Beagleman's "Atelier" on the roof of Selfridges is made of sewed pieces of plywood/
Jessica Beagleman’s “Atelier” on the roof of Selfridges is made of sewed pieces of plywood/
William Garforth-Bless'Temple to Water using a thin fiber glass shell and floating components on the Thames
William Garforth-Bless’Temple to Water using a thin fiber glass shell and floating components on the Thames
Philip Hurrell's Temple to the Transition Movement in Totness, Devon
Philip Hurrell’s Temple to the Transition Movement in Totness, Devon
Daniel Dodds' abstract for the Temple of Illustion
Daniel Dodds’ abstract for the Temple of Illustion
Tim Clare's temple to online knowledge is an irregular gridshell following learning spaces
Tim Clare’s temple to online knowledge is an irregular gridshell following learning spaces
The story of a reciprocal structure and a temple to making by Michael Clarke
The story of a reciprocal structure and a temple to making by Michael Clarke

Prototyping Architecture Conference at the Building Centre

Very inspiring conference today at the Building Centre.
The conference runs for 3 days (21st until 23rd of February). It brings together the work of architects, engineers, manufacturers, product designers, academics and artists to explore the importance of prototypes in the delivery of high quality contemporary design. Placing a particular emphasis on research and experimentation. Prototyping Architecture forms a bridge between architecture, engineering and art, with exhibits that are inventive, purposeful and beautiful.

Some highlights of today’s talks:

Sean Ahlquist‘s research MATERIAL EQUILIBRIA, which consists in the delicate and simultaneous relationship of articulated material behavior and differentiated structural form. This specific study investigates the variegation of knitted textiles, a jacquard weave of shifting densities, as it influences the structuring of a tensile spatial surface

– Manuel Kretzer’s Open Matter(s) network at   http://materiability.com/

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– The beautiful Shi Ling Bridge by Mike Tonkin, Tonkin Liu and Ed Clark http://www.arup.com/News/Events_and_exhibitions/Previous/ShiLingBridge.aspx

shilingbridge_900x600_1_miketonkinarup

– Maquette’s, models and full-scale sample productions in the exhibition