Infinite Territory

Burnign man render REVISED


‘Infinite Territory’ invites burners from the surrounding playa to it’s periphery; its simple mirrored cubic exterior reflects the picturesque landscapes, unpredictable weather and inspirational artworks, creating an experience of both the real and the reflected whilst encouraging unexpected discoveries throughout the journey of the Burning Man Festival. At night, the cube will reflect the vibrancy of the playa. Illuminated strips of colourful light will glow at each edge to allow for clear visibility and frame the vistas; encouraging physical exploration within the structure and providing an immersive experience that juxtaposes the setting of the desert, and in doing so, offers a place for discovery; to recognise our inner selves and the reality of those around us.

The real gem of the ‘Infinite Territory’ is revealed from within – the burner will climb into a boundless space of infinite reflections that will hypnotise and bewilder, whilst creating a place for contemplation and speculation. Illuminated patterns will flicker and grow through key-frames of acrylic. Within this immersive digital dimension will be soft items providing a refuge from the elements. The installation will be made up of mirrored panels at each face of the cube. Three of these faces will consist of panels built with five layers of transparent perspex – each panel consists of a different pattern and when light is moved from one to the other it creates a dynamic lighting animation.




The primary structure of ‘Infinite Territory’ will be a timber framed cube using three meter length beams. The lateral stability will be reinforced using rigid panels of mirror and acrylic that shall form the artwork for the internal visual of the cube. The frame and the perspex/mirrored panels will be joined together (including any internal lighting effects) with metal brackets to reinforce the structure. This will help the overall mass resist wind loads and the harsh weather conditions of the Nevada Desert. The installation will consist of off-site fabrication of each panel leaving on-site construction reduced to the assembly of it’s component parts.

‘Infinite Territory’ will leave no trace wherever it goes; using a sheet size of 1.5m x 3m, the components of the installation allow for easy construction and deconstruction. Its weight and self-supporting robust construction means that no foundations are needed and the playa is left untouched beneath its surface.



The lighting will feature a pre-sequenced animation of LED strip lights that will illuminate the patterns giving the effect that is shown in the conceptual visuals. The lighting will be located at two opposite edges of each acrylic panel, and its components will be visually hidden within the structure. Externally, colourful electroluminescent wire at each edge of the cube will allow for clear visibility of the mirrored surface whilst framing the vistas.







Crit One

Some joyous proposals for both Burning Man and Buro Happold’s London office at yesterdays crit, the first of the year.

Our guest critics were Andrew Best, James Solly, Andrei Jipa, Harry Charringdon and Ben Stringer. Thank you all for your inspiring comments and tireless enthusiasm throughout the day.

Here are some images of the exciting work coming out of the studio this year, more to come 🙂

Frozen music pavilion by Toby Plunkett inspired by the soundwaves inside a cube
Frozen music pavilion by Toby Plunkett inspired by the soundwaves inside a cube
Diana Raican’s transforming cubes model


Diana Raican
Burning Man proposal by Diana Raican exploring fractal cubes


Garis Iu
Bent timber pavilion by Garis Iu
Naomi Danos Andrei Jipa
Guest critic and DS10 alumni Andrei Jipa with Naomi Danos’s hypar surfaces model


Inspired by Cairo tesselation, playful pavillion by Sarah Stell
Sarah Stell’s model capturing the translation of cubes into dodecahedrons
Lianne Clark’s animated keyframe light and shadow explorations
Jon Leung’s bismuth inspired pavilion
Aslan Adnan’s perturbated pavilion inspired by crystal growth patterns
The Tower of Power by Tobias Power
Rheotomic surface installation by Tobias Power
Charlotte Yates animated jitterbug model proposed for Buro Happold
Lorna Jackson’s spidron installations at different scales
Joe Leach’s pavilion of timber tension
Tom Jelley’s anamorphosis experiments remapping geometry
Tom jelley’s magical anamorphic proposal