Reflection presents this years burners with an intimate setting in which to share their inner most confessions, secrets and tales – With the option to do so both openly with other burners face to face, or retain the mystery of their identity by sharing with a complete stranger through the pavilions semi private screen. Reflection embodies the theme ‘Carnival of Mirrors’ in a variety of manners:- the geometry of the pavilion not only mirrors itself in its own form, but also incorporates a reflective surface within its interior spaces. The reflective physicality of the pavilion beautifully juxtaposes its function, by giving its burners a physical platform with which to cogitate their innermost thoughts and feelings, and share these with others. The pavilion is created as a result of rigorous testing of origami in order to create a single Spiralhedron which is then mirrored through along all axis.
Based upon a geometric origami principle which outlines the rules for the triangular subdivision of a 2-dimensional shape and assigns mountain and valleys creases to each subsequent subdivision the Spiralhedron has been optimised through both digital and physical testing. Reflection takes an abstract approach to this years theme, the pavilion’s form manifests itself as a result of mirroring this singular Spiralhedron in the X,Y and Z axis, which in turn creates its enclosing plywood form. In order to create the semi-private confessional screen, the panels incorporate a pattern, providing both the function of privacy, but also narrating the origins of the pavilions final form.
Due to form being created through the act of mirroring the entire pavilion will be made of 9 unique laser cut panels which will be bolted together with both metal hinges and 90 degrees and wooden brackets at 135 degrees.
Dimensions
Constrained by the size of a plywood sheet each individual Spiralhedron is made of two sheets of plywood (requiring 16 in total). Made of eight spiralhedrons ‘Reflection’ has a footprint of 3.5metres*3.5metres with a maximum height of 3.5m creating a footprint equal to that of the height of the pavilion.
Very enjoyable crit day for DS10 at Westminster University. It was our second cross-crit of the year and students showed their proposal for Brief2A, building an interactive structure for Burning Man or the festival of their choice.
We’re back from the desert! Very proud to have completed two beautiful projects at the Burning Man festival 2013 with our DS10 students and guests from the Architectural Association, Columbia University and UCL.
Credits to the team:
Team: Toby Burgess and Arthur Mamou-Mani a.k.a. Ratchet and Baby Cup (Project Directors), Thanasis Korras (Designer of Fractal Cult), Georgia Rose Collard-Watson (Designer of Shipwreck), Jessica Beagleman (Food & Meals), Natasha Coutts (Camp and Rentals), Sarah Shuttlesworth, Andy Rixson, Luka Kreze, Tim Strnad, Philippos Philippidis, Nataly Matathias, Marina Karamali, Harikleia Karamali, Antony Joury, Emma Whitehead, , Jo Cook, Caitlin Hudson, Dan Dodds and Chris Ingram.
Special Thanks: BettieJune, Ben Stoelting, Kevin Meers, Caroline Holmes, Chloe Brubaker, Papa Bear,
Photos by Jo Cook, Arthur Mamou-Mani, Toby Burgess, Luka Kreze, Thanasis Korras, Antony Joury.
Back view Just before burning ShipwreckFront view of the Fractal Cult timber pods and Scaffolding
Here are couple more pictures of the finished projects:
A view of the Shipwreck with the man and a fish Art CarEnjoying the sun on the shipwreck – back viewThree french burners on the hammockA burner relaxing on the Fractal Cult scaffoldingView of timber pods and festival inbackgroundView of timber pods with shipwreck and man in backgroundInterior of the Fractal Cult during Day timeFractal Cult at night time
Some images of the construction of Shipwreck, from the collection of the pieces all the way to the assembly
The group in front of Shipwreck
Construction process, the shipwreck hammock cantilever being erectedA view of the construction before adding the hammock stripsBuilding the shipwreck – finishing the cave part.All the Shipwreck parts unrolled on the desert floor before assemblyThe shipwreck flat packed in the 24ft truck.
Images of the construction process of Fractal Cult until the burn:
Burning Fractal Cult in the Communal BurnToby, Luka and Tim assembling the scaffolding for Fractal cultFractal Cult’s scaffolding assembly is based on this smaller physical modelThe scaffolding being assembled in the middle of the podsAssembling the first podThe Fractal Cult pods being assembled.Getting the ground anchors in for the podsGetting the scaffolding in the 24ft truck
Finally, how we made our camp look more like a home and less like a refugee camp:
Our camp as it looked at the endProtecting ourselves from a dust storm!Assembling the HexayurtsThe group in our kitchenOne of our two food runs in Reno – Feeding 20 people in the desert.Getting the camp from a lockup in Reno
A beautiful view of the festival itself at sunrise:
Burning Man Camps and Playa at Sunrise
Here is a text that we wrote about the experience:
Diploma Studio 10:
Diploma Studio 10 at the University of Westminster is led by Toby Burgess and Arthur Mamou-Mani. They both believe that involvement is key to the process of learning and therefore always try to get their students to “get out and build” their designs in the real world. The studio starts the year with the study of systems, natural, mathematical and architectural systems of all sort, paired with intense software training in order to build up skills and a set of rules to design a small scale project which they will be able to build during a real event in the summer. Throughout the year, they build large scale prototypes and draw very accurate technical drawings, they also need to provide a budget and explain how it makes sense within the wider context of the festival, some of them will event start crowd-funding campaign to self-finance the projects. Our ultimate goal is to give them an awareness of entrepreneurship in Architecture and how to initiate projects as this is for us the best way to fight unemployment in our profession. Burning Man and the 10 Principles:
The Burning Man festival takes place every summer in Black Rock desert, Nevada. It is a “participant-led” festival in which the activities are initiated by the people attending it. There are around 60,000 “burners” every year building a giant temporary city in which they create a social experiment which follows the 10 principles of Burning Man. They conclude the festival by burning a large sculpture of a Man.
What interested Toby and Arthur are the 10 principle which guide the “burners”: Radical Self-Reliance, Radical Inclusion, Gifting, Leaving No trace, to name a few. Designing with these rules in mind help students understand basic issues of sustainability. Designing for Burning Man also helps the students to design with “playfulness” in mind, as all the structures have to be climbable and interactive. We are not the only one inspired by these rules, Sergei Brin, co-founder of Google, asks all his staff to follow the principles when they come up with new ideas. The Story:
On our first year at Westminster we found out that our student could submit their Burning Man proposals and receive a grant from the organizers. After receiving 20 submissions from the same school, the organizers were very intrigued and decided to contact us. The director of the Art Grant told us that she loved the project but that all of them were just not possible in the context. She decided to visit us in London to explain what we could do to submit better projects the following year which we did. On the second run, the festival chose two projects, Shipwreck by Georgia Rose Collard-Watson and Fractal Cult by Thanasis Korras.
These two projects are representative of the way we run our studio: Thanasis looked at Fractal on Brief01 and Georgia looked at ways to bend and assemble strips of wood together. They both explored these systems before submitting a project with a very strong narrative which fitted perfectly the burning man philosophy. Thanasis linked his Fractal to the symbol of “Merkaba” whereas Georgia told the story of a shipwreck which offered shelter from the dust storms.
Once the project got chosen, we partnered with an engineer, Ramboll and started researching for suppliers and fabrication facilities in the USA. We took the 3D files from concept all the way parametric models for fabrication. We started a Gantt chart with every step to take from rental of 24ft truck, collection of item all the way to demolition.
One of the main aspect that required a lot of planning was the camp. We had to plan every meal and food that would not perish under the extreme condition. We also found a way to rent a whole camp equipment from past burners. On site:
The team grew little by little, many of our student could not afford the trip or could not take such a long time off so we asked around if anyone else would like to join us and thanks to our blog posts and active social networking online, students from the Architectural Association, Columbia or UCL started showing interest and joined the team.
Our first surprise on site was the power of the dust storm. One of our Yurt flew away and some of us got stuck in different places of the site seeking shelter. We were terrorised. Sleeping in tents was also extremely hard as you would be awaken by temperatures approaching 40degrees celcius, at the end of the construction, a lot of us would sleep in the foam hexayurts in which we were storing equipment at first. We learned so much.
Hello! Couple technical updates on our Burning Man Projects for the team, donators and potential collaborators:
We have developed the structure, geometry and details of the two projects with the help of Ramboll Computational Design (RCD). See drawings and analysis below.
We have signed the contract with Burning Man and received the first grant payment 20 of us are signed in to go.
We have sent our first fabrication files to get an initial quote on CNC milling all the pieces on 2440mm x 1220mm exterior grade plywood sheets of 9mm (for Fractal Cult) and 3mm (For Shipwreck). Our hope is to collect the pieces on the 19th August.
We will start small models to test the new structures
The Shipwreck now has a parametric model which outputs all the cutting profiles.
Please help us continue the work, even £10 helps – Donate Now –
You can also comment on this page to make suggestions on the fabrication – We need more quotes for the CNC and/or Laser cutting job in the U.S. West Coast (Los Angeles, San Francisco, Las Vegas, Sacramento, Fresno, Reno preferably) . We also need quotes for the scaffolding structure.
Stephen Melville of Ramboll RCD sketch for the Shipwreck structureShipwreck – Looking at different Versions with Parametric modelShipwreck – Looking at different Versions with Parametric modelShipwerck – Low ViewShipWreck View from aboveCurrent Profiles for ShipwreckCurrent Laser cut Profiles for Fractal CultHinged Connection for Fractal Cult by Thanasis Korras with RambollRamboll’s suggestion for Fractal Cult’s Scafolding structureFractal Cult Build PlanFractal Cult Build PlanRamboll Ground Reaction Wind Analysis
Great Thursday tutorials at Westminster! Thank you to former DS10 students George Hintzen, Joe Magri and Chris Mount for their presentation on their trip to the Burning Man festival last summer. We have just started Brief02: Template. Students will start designing a temporary structure for the Burning Man festival or an Open-Source Construction Set.
Ecovative are a New York based research group who are growing a new material using fungi. The process uses an organic aggregate, such as seed husk or other agricultural / industrial by products, as its base. This aggregate is mixed with mycelium fungi and packed into a former to give it the desired geometry. Being a loose aggregate it will fill any former created. The mixture is then left for several days, over which time the fungi grows into a microscopic web of fibres which bond the aggregate into a solid mass. This growth requires no water, light or petrochemical inputs. Every cubic inch of material contains a matrix of 8 miles of tiny mycelial fibres. At the end of the process, they put the materials through a dehydration and heat treating process to stop the growth. This final process ensures that there will never be any spores or allergen concerns.
The company are currently exploring applications of the material in multiple industries from packaging and consumer products to architecture and automotive manufacture. They are also looking for potential partners with which to develop aspects of the material further.
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