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A2-wide angle perspective.jpgJohann Wolfgang von Goethe says Architecture is frozen music. Albert Einstein believes the key to unlocking the universe is through the hidden geometry and mathematics.  This design seeks to unlock the geometry of Sound making sound visible through 3-dimensional volume and lights.

Johann Wolfgang von Goethe says Architecture is frozen music. Albert Einstein believes the key to unlocking the universe is through the hidden geometry and mathematics.

Sound is a hidden code when it unlocks allows us to perceive it as a set of geometrical patterns. The mechanic of sound is translated visually through frequency and amplitude represents itself with beautiful geometries as code from the universe. My design recreates Sound’s geometries into a physical symbolic Sanctuary for users to retreat their senses in the desert,to unravel meaning behind the symbol of Sound by deconstructing it and re-dressing it with physical form, making Sound visible.

 This design seeks to unlock the geometry of Sound making sound visible through 3-dimensional volume and lights.

 

The structure measures 13.77 feet in length &12.8 feet in height. The material for the structure would be paneled by birch plywood(4ft. x 2ft. panel).2-D dimensional geometry is translated into 3-Dimensional form by folding and joining edges.The sanctuary is made up of three mirroring layers, stacking vertically. The construction of the structure is to explore double curvature design with single curvature paneling and assembly. The ground storey encourages private space for reflection; individual sitting and resting area are carved inwards towards the air-well  ,in contrast, the upper storey is the communal area within the enclosure where users can access from a ladder. Pocket of windows are generated by the stacking and mirroring of sound vibration patterns.  Users enters into the enclosure and view the desert from within.

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Live feeding of Sound and the changing LED lights

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In the night, live feeding of sound is captured when in contact with the surfaces of the sanctuary. With a contact microphone attaches onto the surface, it captures the sound amplitude when a user touches or tap as sound travels through the surface as a medium. The device(computer coding with Arduino) then translates the amplitude variation (loudness) into changing colours of LED lights. The lights are attached on the rim of the panels.

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Process
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Studies of Sound patterns through water

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Harmonograph

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Eigen vector

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You are in zone of

DANGER!


DANGER! – a project making people to stop as there’re hazards of Burning Man ahead.  Navigation, which allows them to find the way out and look at the signs. At the same time it will let them to come closer, stay curious and discover danger from inside out.


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DANGER! is a zone where Love and Fire are being found.  The place where people express their love to surroundings such as Landscape, People, Architectural structures, each other. Love that they can share and find within zone of DANGER!  In my opinion, Burning Man festival is about expressing the feeling of Love to someone special. At same time, Burning Man festival is closely associating with Fire. Fire of burning structures, Fire of burning Love. It all comes as one, as a zone of Danger, where visitors may find the Love and get closer to Fire.

The structure is designed to reveal following shadows: symbol of Love (Heart) and Alchemical symbol of Fire (Triangle).


Concept of the DANGER! structure

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Alchemical Symbol of Fire – Equilateral Triangle


Definition of Subdivision is an act or instance of subdividing whole element into pieces. Symbol of the Proposed Burning Man Temple is an Alchemical symbol of Fire. Symbol, which stands as Equilateral Triangle, triangle with upraised point associating to infinitive Flame. Equilateral describes as having all its sides of the same length.

Burning Man defines three different types or levels of open fire, each with different characteristics, and each requiring different approval processes and safety procedures.

  • Direct contact with the playa
  • Enclosed fire
  • Relocation for burning

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In any case, the structures are associated with Burning Man (burning in fire), which can be either burnt on site or be relocated for further demolition or be fired up on separate Burning Man platform.


Studies of Flame shape, move and intensity

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Fire is dangerous aspect of Burning Man festival – the structures have to be placed in correct area to maintain needed gaps for visitors stay safe. The Flame has it’s intensity moments, when it can explode and catch structure near by.

It is a zone of DANGER!


Sun rises up at 7a.m and brings the light of a day- shadow of the heart will appear at the first platform of DANGER!. Why is at 7 am? It is a time when citizens of Burning Man may join the awakening of the sun within the field, as it is a time when sun is coming out from East side mountains. Also, it is the time,when Yoga and Meditation classes are beginning. I believe it’s when soul and body are awaken to make and share the Beauty and Love.

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17 pm  Triangle shadow       =            BURNING MAN  FESTIVAL         =         7 am Heart shadow


Sun Studies at Black Rock City in Nevada 

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Site Model at 1:200000


Shape finding

Distortion of shape while keeping same shadow of triangle at certain position of the sun.untitled-1-8

Option 1                               Option 2                    Option 3                     Option 4                      Option 5


Design development

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Further studies on shadow creation

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Experimental model – triangle shadow cast

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Test video of two shadow being cast- Heart within triangle and Triangle with a symbol of Burning Man inside.


7 am and 5 pm 2nd and 3rd of September it is when the structure, shadows and people of Burning Man are becoming one entity.

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Danger is 10m long, 3m wide and 3m tall. The entire structure is made out of 18mm birch plywood, 30cm diameter poles which are assembled on the Playa.

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A 1:1 scale model of one part of the model including pole and platform had been built on site of University of Westminster to test the size, materials and way of building and assembling the structure.

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Day and Night shape finding

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During the night, the structure will be lightened up by neon lights fixed to external edge of the floating triangles. From certain view point the heart and triangle will be seen.

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Final Model 1:20 scale

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Way of assembling the DANGER!


Visitors and citizens are welcome to gather at the platforms created and stay within zone of Danger to enjoy the hot day in Nevada by the time second shadow appears. The sun at 5 pm will bring a shadow of Triangle, which represents the symbol of fire. It is the time when Burning Man is announcing the best burners of the festival. The time when everyone will get ready for the start of the main part of the festival- burning structures and a beauty of the Fire.

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You are in zone of DANGER!

The project of DANGER! is designed for Burning Man festival, Black Rock City, Nevada, USA, 2017 by Ana Sidorova


Hello WeWantToLearn community. We’re going to Burning Man in less than a month!

Our project this year will be a physical manifestation of our collective dreams and is called Tangential Dreams.  It is a seven meters high temporary timber tower displaying inspiring messages from around the world, written on a multitude of swirling “tangents”.

We need your help to realise our project! There is only three days left to collect the missing £5,000 on our crowdfunding campaign to finance the many expenses associated with the creation of such an ambitious project.

Please click on the image below or use the following shortlink to share/help – everything helps: http://kck.st/28KlbPk 🙂

 

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MamouMani_TangentialDreams (15)

The project is a climbable sinuous tower made from off-the-shelf timber and digitally designed via algorithmic rules. One thousand “tangent” and light wooden pieces, stenciled with inspiring sentences, are strongly held in position by a helicoid sub-structure rotating along a central spine which also forms a safe staircase to climb on. Each one of the poetic branches faces a different angle, based on the tangent vectors of a sweeping sine curve. In line with this year’s theme, the piece is reminiscent of Leonardo’s Vitruvian man’s movement, helicoid inventions such as the “aerial screw” helicopter and Chambord castle helicoid staircase as well as his deep, systematic, understanding of the rules behind form to create art. From a wave to a flame all the way to a giant desert cactus, the complex simplicity of the art piece will trigger many interpretations, many dreams.

The art piece attempts to maximize an inexpensive material by using the output of an algorithm – (the value of the piece being the mathematics behind it, as well as the experience, not the materials being used). The computer outputs information to locate the column, sub-structure and tangents.  We believe digital tools in design are giving rise to a new Renaissance, in which highly sophisticated designs, mimicking natural processes by integrating structural and environmental feedback, can be achieved at a very low cost. We worked very closely with our structural engineer format, sharing our algorithms, to give structural integrity to the piece and resist the strong climbing and wind loads. There are now three “legs” to our proposal, each rotated from each other at 60 degrees angles around a central solid spine, to ensure the stability of the piece, similarly to a tripod. The tangents are not just a decoration, they act as a spiky balustrade to prevent people from falling.

We have a fantastic team for the project:  Philip Olivier, Eira Mooney, Maialen Calleja, Aaron Porterfield, Sebastian Morales, Antony Dobrzensky, Laura Nica, Karina Pitis, Hamish Macpherson, Jon Goodbun, Yannick Yamanga, Matthew Springer ,Josh NG ,Lola Chaine, Dror BenHay, Peter Wang, Charlotte Chambers, Michael DiCarlo, Sandy Kwan.

 

We want our structure to have an intangible aspect, a magical side, one that is beyond matter and geometry. We want to connect our art with every each of you and make you part of our own BIG DREAM, building Tangential Dreams.

We want our structure to have an intangible aspect, a magical side, one that is beyond matter and geometry. We want to connect our art with every each of you and make you part of our own BIG DREAM, building Tangential Dreams.

 

We use physical modelling as a way to understand how the pieces fit together, the best assembly sequence as well as the structural integrity of the project. It takes time, material, money to create a truly original project.

We use physical modelling as a way to understand how the pieces fit together, the best assembly sequence as well as the structural integrity of the project. It takes time, material, money to create a truly original project.

 

Gif Animation of the assembly process. the project will take two weeks to pre-cut and assemble together with volunteers. We need your help for all the expenses.

Gif Animation of the assembly process. the project will take two weeks to pre-cut and assemble together with volunteers. We need your help for all the expenses.

 

 

Exciting rewards to thank you for your supports! from top left to bottom right: Pendants, Earrings, T-Shirts, Tangents, Vase, Ceiling Panels, 3D Printed Smoke Stool, Full Physical Model.

Exciting rewards to thank you for your supports! from top left to bottom right: Pendants, Earrings, T-Shirts, Tangents, Vase, Ceiling Panels, 3D Printed Smoke Stool, Full Physical Model.

 

 

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KICKSTARTER VIDEO & CAMPAIGN LINK: http://kck.st/1qGLHSw

PURSUIT is an interactive art installation that celebrates humanity’s ongoing quest for Peace, Freedom and Joy – in Life, Love and Art. The design aims to create an interactive and unique sculptural playground for visitors of the 2016 Burning Man Festival, which takes place from August 28th to September 5th in Black Rock Desert, Nevada.

THE PROJECT

from Trey Ratcliff at http://www.StuckInCustoms.com

PURSUIT emerges from the playa in tiers of intertwined timber elements that ascend seamlessly in unison to form a series of congregation and celebratory spaces. The final design is the result of a year-long study into the sensuous geometry generated from a mathematical theory known as Pursuit Curvature. This theory was explored as I wanted to utilise something that could fully embody the notion of people coming together from different places and striving towards a common goal. With Pursuit Curvature, each point starts at a unique position of a polygon, and moves incrementally towards the nearest adjacent point until they all converge in the centre. The path travelled is directly influenced by the points around it, so the final curves represent the effects all of the points have on one another as a group.

Frame 25 Ornate Central Space

Central Space

Burners can rest inside the ornate central space of Pursuit, which frames the ongoings of the playa and provides burners with a place of respite from the open sun. The six inhabitable pillars connect the playa directly to the platforms that lie atop Pursuit. Here, a glorious vantage point in which to congregate and take in the festival is gifted to Burners. During the day the interiors of the pillars are concealed from the elements, and their curved form helps to guides burners ascent to the open air. Here they can bathe in the wondrous light of either sunrise or sunset, a truly magical playa experience indeed.

Frame 125 Final Light Shot Night Time

At night time each pillar’s interior is powerfully lit to envelop the burners in light, so they can experience a sense of weightlessness and freedom. The soft glow emanating from each of the pillars’ cores invites burners to commune atop Pursuit to celebrate the radiant beauty of the night sky.

OUR PURSUIT

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Interior of each Pillar

“As I look back on my life, I realise that every time I thought I was being rejected from something good, I was actually being re-directed to something better.” – Steve Maroboli. 

Pursuit is a gift to the Burning Man community. Every year, we apply for funding from the Black Rock City LLC (Burning Man) to help fund our projects. Unfortunately this year, nobody received funding towards their project. Despite initial disappointment, I realised that this helped elevate the project’s intent and concept to a new level than originally planned. By crowdfunding the entirety of the project, we can manifest the collective Pursuit of people from all over the world to see this project built. This is not only tremendously exciting, but also a very humbling prospect, in that we have a passion to give this gift to the playa, but we need your help to give that gift. It is through this collective pursuit that we can embody the spirit of the festival and the project in a built architectural form.

REWARDS

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To show our gratitude for any of your generous pledges, I have created some truly beautiful and unique rewards for all levels of contribution – Each inspired by the projects form and concept, that are all exclusive to this campaign. Please do go and have a look for yourself at them and support the campaign. If you can’t spare a donation at this time, then please share the campaign to as many people as you can – so that together, we can make the project a reality.

Thank you

Joshua

KICKSTARTER LINK: http://kck.st/1qGLHSw


Big Sheets-6

Project Summary

S(l)OSH (standing for ‘ slosh= to move through mud’) is a new Pop-Up Spa situated in Hackney Road, in East London. It is designed as an interactive relaxation area to be experienced through exploring and reflecting within a cavernous space, surrounded by mysterious voids, while soaking in a healing mud tub. S(l)OSH represents a new concept of fun mud house, that tells a different side of the wellness story.

The Spa aims to promote the cleaning and health rituals around the world and invite the users to become aware of the areas in need of healthy kickstarts. The new concept started from the idea that spas and relaxation areas are generally luxurious places to relax and heal and sometimes they are too expensive for the general citizen. S(l)OSH wants to bring healthy hedonism to the city while boosting urban areas that need a little support, while making the cleaning and health rituals accessible and fun to everyone.

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Philosophy

Bathhouses, spas and saunas have long been part of cleaning and health rituals around the world. Mud baths have existed for thousands of years, and can be found now in high-end spas in many countries of the world. Mud wraps are spa treatments where the skin is covered in mud for a shorter or longer period. The mud causes sweating, and proponents claim that mud baths can slim and tone the body, hydrate or firm the skin, or relax and soothe the muscles. It is alleged that some mud baths are able to relieve tired and aching joints, ease inflammation, or help to “flush out toxins” through sweating.2aOpportunity

The design is composed of layers of horizontal wooden planks that follow the mathematical formula of a Scherk’s Minimal Surface geometry of a continuous surface, placed in and around a shipping container. The Spa has been designed after several form manipulation and shape iterations of the initial system, followed by massing of standard bath tubs in a tight space. The proposal stands somewhere between the realms of both sculpture and architecture – a spatial construct where movement through will encourage intimate social interaction, and a full emerge into the relaxation experience.

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Physical Description

Visually, the main part of the Spa is composed of three main areas: the reception, the mud baths and the outdoor pools. The spas includes hot mud tubes, cold water plunges, a changing area, shower and relaxation platforms. The structure will be built from layers of horizontal CNC cut wooden planks stacked on top of each other and fixed together. Internally, the bathtubes will have a smooth concrete walls to hold the liquid and make the stay more pleasant for the sitting. Despite being designed to fit in one or two containers, the spa can expand even outdoors and other spaces.

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Final Day Render

INSTALLATION SUBMISSION TO BURNING MAN 2016 – ‘Entwine’

Entwine is a timber frame structure which has been developed through rigorous physical and digital testing to ensure a safe climbing frame for all to enjoy. When exploring Entwine, the vast expanse of the playa is framed through beautiful intertwining curved plywood beams. Burners can view the event from glorious vantage points nestled amidst multiple communal spaces that encourage interaction and play.

The structure predominantly consists of strips of curved plywood which have been connected together using pioneering construction techniques, specifically the utilisation of conflicting forces, similar to those apparent in ‘Tensegrital’ design. Drawing inspiration from Leonardo Da Vinci and his various experimentations with physical form, ‘Entwine’ is a marvel of geometry. The piece is formed from an arrangement of 19 octahedral components, each consisting of six beams, which are paired and positioned upon one of three axis. These three elements represent the unity of man, nature and the universe that surrounds us.

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Each modular component is tessellated to form an octahedral space frame structure. The rigidity resulting from this tessellation is in direct contrast to the curving structural beams which exude an organic aesthetic. As Burners view Entwine from different aspects, a remarkable array of different patterns and forms are revealed, many bearing resemblance to sacred geometry, specifically the Flower of Life, which was a significant study within Leonardo Da Vinci’s work.

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Entwine is unorthodox in its composition, and this is a contributing factor to what makes it so unique: Each module is constructed through tensioning layers of ¼ inch thick plywood, which are then mechanically fixed together when a desired radius has been reached. By laminating the plywood in this manner, each component retains its curvature but remains in compression. These conflicting forces are integral to the design of Entwine: Each octahedral module is constructed from these compressed plywood elements, and are held together with tensioning ropes creating a structure of isolated components in compression within a net of continuous tension.MODEL PHOTOGRAPHSMODEL PHOTOGRAPHS 2The form of the structure is based on the octahedron, which is a Platonic solid composed of eight equilateral triangles; four of which meet at each vertex. One of the eight triangles acts as a base for the structure. This results in one edge creating a small cantilever, whilst the counter edge can be anchored to the ground. As previously studied by Buckminster Fuller, the geometry of an octahedron is particularly good at forming space frames with a strong cantilevers.

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Entwine Construction Proposal

The participatory aspect of the installation voids the role of the ‘spectator’ and creates more active engagement. In many of Leonardo Da Vinci’s paintings, his subjects are framed by surreal, dreamlike landscapes. This is reflected within Entwine: As Burners become part of the installation, they are framed by the awe inspiring backdrop of Black Rock Desert: In many ways Entwine becomes the artist, the playa the canvas, and Burners the subjects.

“the artist is not a special sort of person, but every person is a special sort of artist.”

This is not only true in the sense of physical involvement but during the construction the ‘spectator’ becomes involved in making strategic decisions in the realisation of the work of art. The development, design and construction of the project embodies the principles of self-reliance and self-expression, whilst a proposal that is safe, interactive and beautiful will be gifted to the community at Burning Man.

Entwine’s curving form will be illuminated using LED spot lights to enhance the organic patterning existent within the structure. This allows the full form of the structure to be fully visible.

My initial studies stemmed from researching into Stellation. This, in simple terms, is the process of extending  polygon in two dimensions, polyhedron in three dimensions, or, in general, a polytope in n dimensions, to form a new figure. Through researching the application of this process, I came across the sculptures created by George Hart, as he has experimented with stellated geometries to which are subdivided to create mathematical interweaving structures.Stellation 1

My Research into the method and calculations of George Hart’s Mathematical Sculpture’s focused on the sculpture ‘Frabjous’. Through rigorous testing and model making I have understood the rules behind the complex form. This is based on the form of a stellated icosahedron, whose shape is contained within a dodecahedron.grey card model

Lines are drawn from one point, to a point mirrored at one edge of the face of the dodecahedron form – as shown in the diagram. This creates intersecting lines at each face as you can see from the diagrams below. Each dividing line has two intersection points, with symmetry at the center of the line. The sculpture aims to avoid the intersections of these lines by introducing a sine curve with the domain 0 to 2*pi. As you can see, each component is exactly the same – for this model, 30 components are used.

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`To simplify the construction of the sculpture, I extracted a build-able section which uses ten components in total. Two of these sections are then weaved together and joined up by a further ten single components to form the entire sculpture.Diagram Sequence of Researched SculptureOne Component ImageryGeometry 2

Following this research, I extracted the concept of avoiding the intersection and subdivided a cube with lines from each corner of the cube. These lines were then weaved around eachother using a sine curve with a domain of 0 to pi. I then mirrored the curves and rotated them to create an intertwining form.Avoiding Self Intersection 2

Another test was created with the same process, however subdividing a cube using the midpoint of each face. – This creates an octahedral geometry.Avoiding Self Intersection octahedron

Using this interweaving geometry, I have created different three dimensional arrays to create a spatial form. The concept of avoiding intersections naturally cause a structure to fail. To form a structurally efficient version of this geometry, I introduced the idea of a reciprocal structure, and allowed the beams to self support by resting on eachother. This did not create a structure strong enough to stand on, however through adding a cube whose dimensions are equal to the width of the beams, the structure became very strong.

Avoiding Self Intersection octahedron 3

Testing the component at a small scale required the design of a joint which allowed me to assemble these components together through interlocking elements. Each beam element slots into the joint; When two joints and two beams are connected together the curves naturally stay in place due to the angle cut into the joint. Three of these connected elements together form the component.

Diagraming the Joint

As mentioned previously, avoiding intersections create inefficient structures – For this small scale experimentation, the concept of Tensegrity was implemented. Tensegrity is a structural principle based on using isolated compression components within a net of continuous tension, allowing the compression members to not need to touch each other. This model was constructed using 1.5mm plywood which has been laser cut; the modularity of the system ensures minimal material wastage.

Construction Sequence of ModelModel Photographs

The three dimensional array of this geometry creates many interesting shapes and patterns when viewed from different angles – this is visible in the following video: