Help us reach our Kickstarter target! http://kck.st/1ESCVFb
Inspired by the geometry from the crystalline growth pattern of the element Bismuth (Bi), the Bismuth Bivouac is a playful pavilion that celebrates the orthogonal geometries that can exist in natural Bismuth crystals to form an intriguing cubic structure, with spiralling disruptions on each face that are governed by the golden ratio. From a distance, the structure appears as a seemingly solid cube, but upon closer inspection, the internal spaces can be explored and utilised.The beautiful iridescent colours of crystal are to be translated into the proposal through coloured LED strip lighting, built into the simple dimensional lumber structure of the pavilion, so at night the Bismuth Bivouac gives has the same visually mesmerizing, colourful effect of the bismuth crystals in nature. The project aims to play with the participants perception of depth and scale in this mirroring structure – from afar, the structure will appear as a dense cube that sits on the playa, but as the participants move towards the structure, they will begin to be able to see through parts of the structure due to the stepped nature of the geometry and holes formed from spiral disruptions. The structure provides sheltered from harsh desert sun, but also provides a plaything for the sun to casts its shadows during the day, and for people to cast their own shadows with their own illuminations at night.
, Natasha Coutts
, Natural Systems
, Rhino Script
Inti: The Incan Sun God, his face portrayed as a gold disk from which rays and flames extended. Inti is the Sun and controls all that implies: warmth, light and sunshine. During the festival of Inti Ramyi, held during the Summer Solstice, Inti is celebrated with much drinking, singing and dancing - special statues are made of wood are burned at the end of the festival. This sculpture is an extended physical manifestation of this; decadent ritualism and a spiritual experience.
Inti incorporates 288 petals are self-assembled into 12 concentric rings, with each petal representing the hours of the day and each ring every month of the year. These are held together using mirror polished circular brackets, designed to catch the light and reflect circles of sunlight around the structure interior. Inti's focus is the sunrise; as the sun rises on the playa, Inti is designed to catch the light at this precise moment and funnel through the piece, enveloping and bathing the burners inside with it's warmth and spirit.
, Buckminster Fuller
, Burning Man
, Natural Systems
, Rhino Script
, Sea Urchin
‘Timber-Wave’; a plywood instillation emerging and crashing on to the desolate Black Rock Desert. This breaking wave a remnant of the retreating Quinn River, draws on imagery of both waves and dunes provoking thoughts of the original Burning Man Beach Parties and surfing counter culture. Simultaneously the design evokes concepts of the Silk Road as a mirage of a giant wave appearing from across the playa to be discover by wondering burners.
The design of the Timber Wave was driven by creating an interactive environment. In daytime, people are encourages to climb and search between the interwoven plywood structure. Open sun soaked communal areas create areas for group contemplation. Solitary areas for single travelers have also been designed as places of refuge from the intense sun, wind and dust storms hoping to encourage serendipity. At night the wave truly come alive as a monument to the sea. Bathed in varying blue tones of color the spectacular structure is a mysterious beacon within the dark playa.
‘Timber-Wave’ structure consists of 3 layers of 12 intersecting plywood ribbons. Each ribbon consists of a varying number of water bent plywood components con-caving and con-vexing together forming a rigid series of tensioned and compressed sections. The result is a homogeneous structure creating a beautiful ergonomically sized spaces. Each ribbon a series of circular penetrations in the form of an abstracted water pattern. Creating foot and hand holes for climbing as well as allowing dramatic shadows to be cast throughout the structure and across the playa. At night the penetrations allow the lighting of the instillation to spill across the playa and between the layers of the structure.
1:20 Scale Model
The petal has long been a surround for the reproductive parts of the flower, its varied forms and designs attract numerous species of animals and insects, enabling its existence to grow and spread. As a result, the petal will not only encounter pollen of its own species, but also that of many differing plants.
Taking people as the pollen. This caravanserai will attract people both day and night, providing a space for play and discussion, encouraging communication, observation and interaction.The Petal Hypothesis sits expressively within its setting. Exposing the raw structure of the plywood ‘petals by day and revealing the elaborate display of the EL wires by night.
Configured in a circular array, each ‘petal’ is construct from just two ‘pods’ which in themself only take 1 sheet of plywood to construct. Connected together to generate one ‘2d’ curve, the end points then bend around to complete the monocoque structure.
These pods are then mirrored to generate the ‘petal’ form and anchored to the ground. The act of fixing the extreme widths and mirroring the pods minimises the natural flex within the ‘pod’ and enables it to be a strong physical structure.
In place of the EL wires, a cloth stress skin has been incorporated to the top tier of petals. This not only provides shading during the day but also absorbs the light from the EL wires and distributes it across the whole surface.
Observe – Sit around and within the ‘petals’ to observe the activities at its centre.
Inhabit – Climb the structure and occupy one of the many vantage points within the ‘petals’
Connect – Share memories and congregate either on mass at its centre or privately within the petals
- Black Rock Reef
Providing shelter, nutrients, a place to hunt, coral reefs exist in less than 0.1% of our oceans, yet they play host to a quarter of marine species. A wondrous setting for letting the imagination wander, as well as a poignant reminder of the frailty of our beautiful planet, Black Rock Reef invites you to suspend your disbelief, and find your spot in the anemone.
Anemones, more than most components of the reef, share a collaborative relationship with their inhabitants. Their tentacles stun and collect tiny organisms for fish to feed on, and in turn, the fish defend the anemone and waft aerated water past its tentacles with their fins. Once a clown fish has found its anemone, it will never stray farther than four inches from its comforting fingers until it dies.
I hope that the soaring, flexible limbs of Black Rock Reef will prove equally irresistible to the inhabitants of the Playa. The vibrant beacon of color on the horizon serves to draw visitors in from afar, and the intricate arrangement of organic spaces dare further exploration on arrival.
The graceful order of the woven elements provide an incredibly tough surface that is inherently climbable, yet filigree and visually lightweight. Silhouettes of daring explorers who have ascended towards the canopy are visible from afar, inviting others to participate. The curved forms create multiple inhabitable spaces through their relation to one another, the Black Rock Reef has as many inspiring destinations in its topography as your imagination will allow.
- Interactivity is integral to the Black Rock Reef. Choosing and then developing a gridshell system has been an exercise in creating a structure that invites and supports climbing and exploring safely.The permeability of the structure makes climbers’ silhouettes clearly visible from afar, a clear visual tutorial for passers by as to the exploratory opportunity offered by the Black Rock Reef.
- On closer inspection, the collection of bulging towers lend infinite surfaces to be explored, and each tower’s opening at its base allows the gentle bulges to be experienced from the other side of the skin. A unique interaction of spaces occurs, and people relaxing on a gentle slope may find themselves to be witness to a dramatic ascent of an overhang, through the apertures in their seat!
- The interior of the cores also serve as ladders to the canopy of the reef, which is an enclosed bowl with spectacular views across the playa, with space for several simultaneous inhabitants. The gently sloping of the canopy perimeter serves to gently enclose even the wobbliest burner, without intrusively caging, or breaking the connection with the external environment.
- An optional in-situ burn of the Black Rock reef would prove spectacular, with the woven structure allowing for an air fuelled ferocious burn. Burn safe methods of colouring the laths would be sought, if a burn was planned.
- 1:5 Scale model of structural system
- Lath fabrication and pre-fab element assembly and transportation
- On-site pre-fab element assembly procedure
- Evening at the reef
- At night the towers are lit from beneath, creating a colourful beacon visible from afar. The intricate gridshell surfaces cast spectacularly kaleidoscopic geometric shadows.
- As anyone who has been lucky enough to scuba dive at night with a torch will understand, the colour and form of the Black Rock Reef will really come to life at night, with dizzyingly complex shadow patterns cast against an uplifting splash of colour.
Toby and I are very very happy to announce that DS10 has won the Burning Man Art Grant twice with Georgia Rose-Collard’s project Shipwreck and Thanasis Korras’ Fractal Cult.
DS10 get ready, we are going to Nevada this summer!!!
Burning Man Festival Satellite Image
Georgia Rose-Collard’s Shipwreck
Thanasis Korras’ Fractal Cult
We have recorded a joyful song for the occasion 😉 Yooohoooo
‘Hive’ is a time-based installation for Burning Man Festival, focusing on the principle of individuality and an assemblage of many parts. The concept reflects an inhabitable cellular hive shaped network derived from the formation of hexagonal convection cells. The sculpture is a progression through the life of convection cells -a phenomenon which is visible when mark-particles are added to a solution on low heat- the resulting structure is reminiscent of the hexagonal cells of a beehive. The formulation and transition of the many parts allow a playful visual experience and participation. The Hive acts as a shelter and altar to the sun. ‘Hive’ occupies the space where our ‘earth-bound bodies root in the dust’, gathering together.
In daylight the installation appears unified and porous, the interior spaces offer multiple external views and ambiances, communicating to installations nearby. The openings within the surface allow movement and motion of visitors and the light from the interior spaces to be exposed, animating the installations exterior space.
Situated within its spiritual environment of the site, the project is also a gesture of terrains in the Black Rock Desert. The form of the installation allows light, views and the external and internal worlds to invade one another. The structure is made from CNC-cut plywood sheet layers creating a natural exterior and colorful interior. The vertical orientated hive cell-like surfaces, formed by a structural lattice are creating an environment allowing inhabitants to move through the space, climb, explore, gather, or tranquil between the formed spaces.
At night and during the dark veil of the desert lights, the structure illuminates with many point light sources forming a new network of engagement which glances through the inner structure. Hive would be lit with solar powered point lights through the interior, creating the glowing effect of a traditional lantern. During the day, the surface will appear to shimmer in sunlight.
‘Hive’ is 10′ x 16′ x 20′ long, CNC cut plywood sculpture. The installation can be split into two halves (4ft x 4ft x 20ft) and these parts can be modified according to the new site by adding or removing the number of layers along its length. Hive’s materials would consist of 4ft x 8ft standard/shuttering/recycled plywood sheets 5/8 inch thick. The negatives of the CNC cut layers would be used to create the spacers in between the layers and any residual material would be donated/recycled to a used building materials dealers.