Archive

ds10

render1-day


Symbol- Language and Sound into System

Language has a strong symbolic meaning to the mankind. It is not just a sound but with meanings which then allows to self-express, communicate and inspire. The mechanism of the sound system of languages is translated into visually represented geometries using Chladni’s Law.
9_102

3-Dimensional computer generated Chladni Patterns 

When the frequencies increase, the pattern gets more complicated.

cymaticstacktotal


BabelTower of Babel – The origin of different languages

“Come, let’s make bricks and bake them thoroughly. […] Come let us build ourselves a city, with a tower that reaches to the heavens, so that we may make a name for ourselves and not be scattered over the face of the whole earth.” (Genesis 11:3~4)

(The Tower of Babel by Pieter Bruegel)

It is the story from the Bible but also architectural structure found in Mesopotamia Civilisation – called Ziggurat. It was made of asphalt and baked bricks with total dimensions of 90m x 90m, 90m high. This is equivalent 30th floor building.

The united humanity spoke a single language and agreed to build a city and a tower that is ‘tall enough to reach heaven’. God found such behaviour as rude and disrespectful. He confounded man’s speech so that they could no longer understand each other. 


12_24312_244

Concept Development through systematic studies of Ziggurat

12_246


 

The frequency and nodes of the word is analysed and recreated as two geometrical forms. They are proportioned according to the Ziggurat Algorithm ratio and timber pieces are stacked up vertically reaching the highest deck at 8m above. The structure encourages to climb complex geometry.

While reaching the top, less intense the space becomes. The LEDs are placed underneath the timber pieces which are concentrated on the top of the tower and scattered following the central void of the structure. Lights illuminate with the voice reactive sensor placed at the top of the tower.cymatictotal2

Human always wanted to reach higher points either physical or spiritual. The height of architecture symbolised one’s power and control. This can be observed from the tower of Babel and continues in architectural history. Such expression of the desire of heights lead to competition of building higher structure.

High rise buildings were often found in religious architecture where they had few typical characteristics. First, it was the only tower to observe your land and the only tower which can be seen from everywhere in town. It has a visual meaning that the land within the perspective is the land within control. Second, religious architecture often had music instruments embedded within. This represented the control of the land where music reaches. And finally, high-rise tower was a representation of the centre of universe and sacred space in religious term. The tower, architecture of height is a spatial symbol of man’s deep desires.

The ritual is all about finding the true desire of your own. This begins with constructing the tower where the ritual follows the biblical story of Babel. Climbing up 8m high construct is a challenge then the climbers are rewarded with the beautiful panoramic view of Black Rock city. The climbers will also interact with the installation by continuously stacking up the Babels with anything they can find. Eventually it will deform from the original shape. Then the Babels will be the collective symbol of the Burners’ pure desire.


Whatever your creed your reliance on the sun is unquestionable.

We have worshipped it as a God.

Spent lifetimes studying it through science.

Yet human hands will never touch its surface.

Celestial Field brings our sun to the Playa for us to dance in its glory.

Triggering our own solar flare.

light-rod-render_close-up-night

Internal perspective of the Celestial Field Pavilion

 

From the dawn of time the sun has been a constant in human life. It has been central to the beliefs of nearly every civilisation throughout history. What was once an astrological wonder sustaining life; dictating when to plant and harvest our crops; evolved into a god and deity, woven into the stories and teachings of nearly every culture, from the Egyptians to the Ancient Greeks and even Christianity.

sun-symbols-across-the-globe

Sun symbolism from across the globe and through the ages

 

The oldest man-made structures in the world have resounding astrological connections to both the sun and constellations, covered in carvings they unquestionably align to major astrological events.

Newgrange in Boyne Valley, Ireland, thought to be built in 3500BC, has a tomb in which sits a stone basin lit by a single beam of light at sunrise on the winter solstice.

 

newgrange-sunrise

Newgrange Tomb- Borne Valley, Ireland; built around a single beam of light that exists only for a moment each year

 

The Egyptians, Greeks, and Christians have all referenced the sun within their religion and beliefs.

The Egyptians in 3000BC had Ra, the Greeks in 400BC believed Helios to be God of the sun, and Christians have often depicted Jesus in front of what is thought by many to be the solar cross.

sun-worship-in-religion

Ra, Helios and Jesus all depicted with solar symbols

 

In the past the sun has been depicted as a 2Dimensional disk of light travelling across the sky before dying only to be reborn at sunrise.

The Ancient Greeks believed Helios to be the personification of the sun. A man with a many rayed crown of light, pulling the sun across the open sky with a horse drawn chariot. The Helios named after the Greek god has been used and adapted through the ages, with one of the most recognisable iterations being the logo of global corporation BP which symbolises “a number of things – not least the greatest source of energy … the sun itself..” – bp.com

 

helios-geometric-symbol_01

Building the Helios

 

This once celestial being has now become a tangible thing. Through advances in our technological and scientific capability we have gained an understanding of the suns chemical make-up, uncovering many of its secrets from sun spots to solar flares. Although we have developed an increased understanding of the forces driving the sun, it is still no more accessible to us mere humans than on the first day on earth remaining an impenetrable sphere in the sky only to viewed from a far.

 

light-sphere

Physical model light testing

 

digital-light-sphere

Digital animation of lighting tests

 

The suns surface has taught us much. Galileo’s sun spot diagrams unknowingly demonstrated the unique fluidity of the suns chromosphere. Further study of these sun spots and magnificent solar flares proved that the surface of the sun is covered in billions of interlaced magnetic fields all interacting together to form the whole. When these fields cross swirling plasma burst in an instance out into the corona bringing with it immense light displays that can be seen on earth as the aurora.

 

magnetic-fields

Recording magnetic fields with computer models and physical experiments

 

In an age where endless streams of newfound knowledge are accessible with the touch of a finger – it is easy to lose our sense of innocent amazement and unquestioning awe. We have a constant need for explanation of why and how phenomena exist, no longer blindly excepting their beauty and revelling in it.

The indescribable beauty of these gigantic magnetic fields can often be lost and forgotten in the mundane when scaled down to earthly objects. Viewing them at a micro scale allows us to connect with their other-worldly nature.

macro-magnets

Macro photographs of physical tests of magnetic structure using iron filings

 

Science has taught us how a magnet attracts and repels enabling use in industry, medicine and everyday life. And as our knowledge expands, we move from child to adulthood and our desire to play diminishes – burdened by explanations and reasoning; we are no longer in awe of our ability to make metal move without laying hands on it. It has become the norm and the expected, it is no longer ‘magic’.

Life should be fun and full of mesmerising moments. Our increased knowledge should enable and enhance our experience of ‘magic’ not hinder it.

 

suspended-pins

Experimenting with magnetism to define levels of sensitivity for large scale interaction

 

Celestial Fields captures the unexplainable wonderment the sun once held and makes it accessible through modern mediums, combining two worlds; science and enchantment, imbedding them on the Playa at Black Rock City, Nevada, for people to explore and lose themselves in.

Thousands of swaying rods made of tubes of one-way mirror form an undulating field, rising high above your head, and falling like the plasma pulled in all directions by the phenomenal magnetic forces found on our sun.

By day a field of mirrors reflect and intensify the suns natural beauty and power. Creating a maze of ever changing light to explore, push through and play within. At sunset everything transforms. The field morphs, bursting into a sea of glowing beams reacting to movement and mimicking the fluid, almost pulsing nature of the suns corona.

Like the chromosphere, magnetic fields have informed density and pattern, creating patches of pure brightness and areas as dark as sunspots. With each rod built on a spring loaded base it can be pushed a manipulated, enabling you to forge your own path through the densest areas of Celestial Field, parting rods like magnets repelling polarised iron.

 

Individual rods are clad in a one-way mirror film - creating a reflection of the desert in the day and an illuminated environment at night

Individual rods are clad in a one-way mirror film – creating a reflection of the desert in the day and an illuminated environment at night

 

Movement through the sprung rods creates interest not only for the participants but also onlookers. During daylight hours people weaving in and out can be seen across the playa through the constant glinting of the sun on the reflective rods. An ever changing shimmer, like sunlight dancing across water in the distance, drawing people in from all directions out of wonder and intrigue.

Once the sun has set the lights come on, and the show only gets better. The rods now glow and pulse, changing colour, transforming the world around them – each equipped with a sensor so as to react to movement as people push past; creating tracks of swirling light shifting like the turbulent surface of the sun. Areas of intense and overwhelming light can occur when people team together to trigger a cluster of rods forming a concentration of light evocative of a solar flare.

The sun is not solely about light, with it comes inevitable darkness. Shadows too have been used throughout time as a symbol in opposition to that of the sun; and in this instance the areas of shadow formed in the magnetic layout create areas of calm within the thrill of the lights where one can sit and ponder everything from the dessert to the sky and the sun that brings life to earth.

sun-spot-to-system

The pavilion layout is informed by the patterns of sunspots and flares forming on the suns surface

 

What was once worshipped as a distant god and celestial being can now exist on the surface of the earth as a Celestial Field in Nevada. The sun has risen and set, bringing with it heat and light; powering life on earth since the dawn of time, a focus of incomprehensible wonder and fascination for each and every culture across the globe.

Celestial Field intends to reignite our faith in the intangible, while showing us there are powers and beauty still to be found in the modern world.

 

light-rod-render_distance-night-populated

 

 

 

 

dream-catchers-research

Dream Catchers by Nick Huard

Legend of the Dream Catcher

‘The legend of a dream catcher began long time ago, when the child of a Woodland chief fell ill. Unsettled by fever, the child was plagued with bad dreams and unable to sleep. In an attempt to heal him, the tribe’s Medicine Woman created a device that would ‘catch’ these bad dreams. Forming a circle with a slender willow branch, she filled the centre with sinew, using a pattern borrowed from our brother the Spider, who weaves a web. This dream catcher was then hung over the bed of the child. Soon the fever broke, and the child slept peacefully.

It is said that at night, when dreams visit, they are caught in the dream catcher’s web, and only the good dreams are able to find their way to the dreamer, filtering down through the feather. When the warmth of the morning sun arrives, it burns away the bad dreams that have been caught. The good dreams, now knowing the path,visit again on other nights.’ (Oberholtzer, 2012, p9).

 

Origins

Dreamcatchers originated with the Ojibwe, a tribe of Native Americans scattered throughout the areas of the lake country in northern Michigan, Wisconsin, and Minnesota, and along the southern border of Canada, along the shores of Lakes Huron, Superior and Michigan, whose survival relied on fishing, hunting and trapping.  

Traditionally, the dream catchers were made by tying sinew strands onto a few inches in diameter round or tear-shaped frames of willow and were often wrapped in leather.

The spiritual life of the Ojibwa centred around the Midewiwin, the Grand Medicine Society and focused on the individual spiritual growth, gaining the insight through their dreams or visions.

 

untitled-9

Grey Owl repairing an Ojibwa-style shoe

Mystical Experience

My project is a re-interpretation of the beliefs that dreams have magical qualities with the ability to change or direct one’s path in life. The bawaajige nagwaagan intends to create a mystical experience, where people are caught inside, similar to the way that bad dreams are caught in the dreamcatcher’s web, and good dreams escape through the centre. The participants are encouraged to climb through the centre and escape their bad dreams and feelings, releasing their spirit through the enclosure. Now they can sleep in the peaceful environment, stimulated by the fantasy of glowing feathers and luminescent rope structures. The pavilion aims for people to sleep, relax and free themselves from stress while being protected by the magical webs of the dream catcher.

 

final-render-night-green

The Bawaajige Nagwaagan at night

render-night-detail

Close-up render at night

Romantic essence of the Native American Culture

The proposal is a celebration of the romantic essence of the Native American Culture. The large scale, three dimensional net is inspired by the native methods and techniques of making dream catchers. It is a manifestation of the traditions and significance of the Native Americans, paying respect and pledging support to the indigenous people of America.

The structure situated in the Burning Man festival commemorates the ceremonies of Native Americans, dedicated to acquiring an insight through dreams and visions. Fasting, or giving up of certain necessities for a certain length of time was a common practice used to enhance one’s ability to access different dreams or visions. Another method was to pour water over hot rocks to produce steam, which enhanced the occurrence of dreams, used as source of introspection. These rituals relate to the festival’s assertion of disconnecting from the necessities of our contemporary world, supplemented by the extreme weather conditions, which are hoped to encourage reflection.

The pavilion responds and works together with the Black Rock desert’s environment, and adds to the wider cultural context of leaving behind the essentials and expectations of the contemporary world while creating a moment for contemplation and tranquility in the magical weaves of the dream catcher.

 

new-dream-catcher-final-day-render

The Bawaajige Nagwaagan during the day

Proposal Development_System

rotation-increments

untitled-2

dream-catcher-stages

 

1.Aleksandra Wojciak_90gsm_A1_Merylbone_west

Form Experimentation_Platonic Forms

Hexahedron

model-1

Development Model

 

hexahedron-diagrams

Diagrams explaining model assembly

 

Tetrahedron

tetra-models-copy2

1:10 Model

 

models-tetrahedron

Diagrams explaining model assembly

 

Physical Description

The structure will be composed out of three, seven meters in diameter, dream catchers, tilted to form a tetrahedron. Each dream catcher’s net will be made out of 275 meters, 18mm, synthetic hemp rope which will be entwined in 1320 meters of 3mm fluorescent cord. Attached to the frame uv lights will make the fluorescent rope glow at night. Three rings hold the net structure together, with the bottom ring anchored to the ground, made out of T-shape plywood frames. The web of the frame will be 4 layers of 15mm ‘banana’ shaped pieces which will create a circle, together with 4 layers of 230mm x 2400mm x 9mm flange pieces bent in shape of the banana edge. Smaller rings, supporting the centre of the dreamcatcher net will be of similar structure, with 2 layers of banana pieces and 2 layers of 150mm x 2400m x 9mm flange pieces, bent in shape. The frame will be wrapped in 13500 meters of 8mm synthetic hemp with attached fluorescent fabric feathers.

 

axo_b_nagwagan

Axonometric View-Construction Development

 

assembly 1

Frame’s web assembly

assmbly 2

Frame’s flange assembly

 

assembly 3

Initial assembly diagrams

thebn_uv-lighting


UV lighting-Construction Development

Testing Ideas in 1:1 Scale

 

1-1-model-photograph

1:1 Scale Test Model exploring the possibilities of glowing net structure and its connections.

Assembly of the net is inspired by a macrame knotting technique rather than weaving which means that the net could be made out of smaller 15 meters long pieces, rather than one 275 m coil of rope, making it easier to assemble and repair. Rope is anchored to the frame with thimbles and shackles, attached to the bolted staple on the plate. The rope is connected with simple S-shape stainless steel hooks. After testing the net I found that although these are easy to assemble, they can create some movement in a connection, therefore I am planning on exploring the idea of ferrules, which could be crimped in place.

1-1-model-1

ola-ds10-dream-portfolio-3

Photographs of 1:1 Scale Model

 

 

 

The Symbol

The Mandala – Sacred Geometry in Buddhist Art

“We can also discuss the mandala in terms of the soul. The soul is the totality of the mandala. Essence arises in the soul, but for a long time… the soul is not completely essentialized; only part of it is. The rest of the field of the mandala – the rest of the consciousness of the soul – is composed of all your mental, emotional and physical experiences. The thread is defined by the center of the soul, and we can know that center most specifically and in a delineated way by recognizing the essential presence and what quality is manifesting.”   – A.H.Almaas                                                                                                                                 

0-map-diagram-copy

The word Mandala derives from:

manda =essence, la =container

Thus, the word Mandala translates as “the container of the essence”

However, as an image the mandala is a symbol representing both the mind and the body of the Buddha.

In esoteric Buddhism, the Mandala’s main principle is the presence of the Buddha in it. This can be represented either as a tree, a wheel or as a jewel, or in other symbolic manifestations.

1-copy

The Centre

The Mandala is consecrated to a deity. In its creation, a line materializes out of the dot, while other lines are drawn up to the point where they intersect, creating in that way triangular geometrical patterns. The central area of the Mandala is the residence of the deity. Each Mandala has its own resident deity, with whom the mandala is identified. The circle drawn around the deity’s residence stands for the dynamic consciousness of the initiated. It is the gathering point, in which all the outside forces are drawn.

The centre is visualised as the essence and the circumference as grasping.

In its complete form Mandala means:

Grasping the essence.

The residence of the deity is located in the square structure concentrically within the surrounding circles. The outlying square symbolizes the physical world bound in four directions, which are represented by the four gates, which in turn symbolize the bringing together of the four boundless thoughts.

Loving Kindness

Compassion

Sympathy

Equanimity

2-copy

The Square

The square structure is divided into four isosceles triangles by lines that run from the center of the Mandala to the four corners. Each detail in all four quadrants or triangles faces the center, where the deity of the mandala resides. The square form defines the architecture of the Mandala described as a four-sided palace or temple.

Palace – Residence of the presiding deity

Temple – Contains the essence of the Buddha

3-copy

The Colours

The four quadrants of the Palace or Temple are divided into isosceles triangles of colour.

white, yellow, red, green, dark blue

 Each of the aforementioned colors is associated with one of the five transcendental Buddhas, further associated with the five delusions of human nature. These delusions obscure our true nature, however spiritual practice can transform them into the wisdom of these five respective Buddhas.

4-copy

The Concentric Circles

The series of concentric circles surrounding the central palace or temple follow an intense symbolic structure.

Ring of Fire

Ring of Thunderbolt or Diamond Scepters (Vajra)

Eight Cremation Grounds or Graveyards

Ring of Lotus Leaves

5-copy

The Complete Mandala

A person meditating on a mandala visualizes himself going into the mandala and making his way through the levels of images until he arrives at the center. Buddhists believe that the Mandala meditation helps concentrate spiritual power and bring freedom from suffering.

 

Drawing the Mandala

6diagram-3-copy

Component Diagram

After thorough research on the Indian Mandala, I started designing mine taking into consideration the various symbolizations and components that constitute the traditional Mandala.

7mandala5c-copy

Mandala Layers

8mandala7-copy

Model Concept

9d-copy

Three Dimensional Mandala

The Final Proposal – The Cubic Mandala

 

10day-render-2

Day Render

According to Buddhist religion, the mandala appears as a series of concentric circles that are a representation of the process of transformation that human beings are asked to undergo before entering the sacred area, located at the centre of the mandala. In other words, when meditating in front of a mandala, human beings move through the different layers, liberating themselves from the delusions that obscure our true nature, and consequently reach the centre of the mandala and attain enlightenment.

Based on that theory, the Cubic Mandala is a three dimensional, cubic representation of the traditional Indian Mandala and is designed in a way so that all the fundamental elements of the traditional mandala are being incorporated into the design. For instance, the central area, the palace or temple, the four quadrants along with the four gates, the ring of fire, the lotus and diamond ring, as well as the eight graveyards. The aforementioned are of great significance and vital to the process of transformation and the attainment of enlightenment and spiritualism.

This process is further emphasized by the introduction of 4 layers that form each side of the cubic mandala and represent the different stages that human beings have to overcome in order to reach the centre of the mandala. The cubic mandala is an actual representation of the difficulties one is asked to overcome in order to put an end to human suffering and acts as a means to discover divinity by the realization that it resides within one’s one self.

11night-render

Night Render

The Cubic Mandala is a 4,5 m high timber and acrylic construction consisting of layers that form four concentric cubes, creating a journey to the centre of the mandala. The twenty layers that form the four concentric cubes are made out of timber. However, a 10mm acrylic sheet is attached to the five layers that form the first cube as well as the third concentric cube. LED strips will be attached at the edges of the acrylic sheets, lighting up the whole structure during night-time.

12exploded-perspective-axonometric-view

Exploded Axonometric Diagram

13exploded-front-view

Exploded Diagram – Front View

Each cube consists of five sides, instead of six, as the bottom side has been removed and replaced by a base that holds the whole structure. The sixteen vertical layers of the structure are being inserted to the pockets that have been created at the base of the structure. The remaining four horizontal layers are attached to the horizontal elements.

14exploded-base

The Base

The Experience

While observing a mandala, a kind of spiritual essence surrounds the one observing it, which as a result allows him a higher level of awareness and consciousness. Consequently, the creative mind of the individual is allowed to escape reality and run free. The mission of the “Cubic Mandala” is to encourage people to focus on it, absorb the beautiful designs and allow their minds to wander. People are tempted to let the “Cubic Mandala” absorb all their attention, by moving into the mandala and gazing into its patterns.

15section-copy

Section

A feeling of lightness is what people are going to experience, while falling into the mandala. Intuitive thoughts might arise. People are encouraged to relax, embrace one another and let the feelings come to them. According to the tradition, the making process of the mandalas involved four monks – one at each quadrant – working simultaneously until the mandala was complete. Having said that, the original process of making highly encouraged interactivity. Therefore, the purpose of the “Cubic Mandala” is to bring people together and, through the ritual of mandala meditation, to raise their spiritualism, to promote self-expression and finally, to liberate them from the everyday life.

16view-1-copy

Interior View

17view-2-copy

Interior View

Truth is a personal conquest which one attains through a mystery.

The Burning Man festival has evolved from a simple gathering of people on a beach in San Francisco into a spectacular spectacle. Burners travel from all over the world to meet in the Black Rock desert of Nevada where they form a city of temporary structures and burn a huge towering figure of a man. The theme of the 2017 burning man event will be Radical Ritual, an attempt to reinvent ritual in our post-post-modern world disregarding assertions of belief and concentrating instead on the immediate experience of play. Fractured cosmos seeks to provide this year’s burners with an edible artwork experience in the playa, a crystalline structure made from hard boiled sugar candy.

fractured-cosmos-render-1

Fractured Cosmos draws the inspiration for its form from the Shri Yantra Mandala, a mystical diagram used in the Shri Vidya school of Hindu Tantra. The diagram, nine Isosceles triangles interlaced to form 43 smaller triangles, is said to be symbolic of the entire cosmos. The geometry of this symbol, usually depicted as a flat, two-dimensional construct, has been inclined, distorted and fractalized out of its two-dimensional plane to create a series of inclined planes for Burners to inhabit and play within.

fractured-cosmos-render-3

recursion-diagram

Those cultures which meditate using the Shri Yantra symbol believe life exists between two planes, that of Samsara, this earth plane, and Nirvana, a perfect heavenly plane. One transcends from Samsara to Nirvana when they have gained enough genuine insight into impermanence and non-self reality. This notion has been reinterpreted as a series of transparent colourful planes on the playa, casting colourful light onto the ground beneath our feet. Each of the planes will be made from coloured rock candy, offering burners the opportunity to perceive an altered sweeter perspective of the world, as well as a delicious treat if they’re brave enough to lick it.

Hard Boiled Candy Planes.png

The use of hard boiled candy as the structural material for the pavilion means the structure will be made by mixing sugar, liquid glucose and Creme de Tartar with water. This concoction will be boiled to a temperature of 145 degrees celsius before pouring into formwork to cure. Waterproof LED lights will be added once the liquid has cooled to a sufficient temperature, and these will be used to light the structure at night.

fractured-cosmos-render-2

The plinth of Fractured Cosmos must be strong enough to support the weight of the candy structure above plus the added weight of any burners, tie the structure down, capture any waste which falls off the structure as it is consumed and house the power source for the night time lighting. This has been designed using the same method of recursion as the candy structure to create a plinth using the mandala’s cosmic gate element as its inspiration. the final form generates a climbable podium for burners to ascend before inspecting and consuming.

mandala-diagrams

This project is a physical exploration of anamorphosis in three dimensions centred around the theme of duality. It aims to combine two widely recognisable figures into a pavilion that will attract burners, provoke debate, and catalyse interaction.



Duality DayThe theme of this project arose from the realisation that even the most widely recognisable symbols contain multiple layers of meaning and mystery.  Social, historical and sometimes even spiritual contexts give a symbol its perceived meaning. For example, while the Christian cross is a symbol of hope it is literally a scaled representation of an ancient torture device – an icon synonymous with good carries with it a darker elucidation. This interpretation led to the emergence of duality as a topic and a title. 
There are many symbols which have multiple meanings and nuances to those who interpret them.

pages-for-blog-re-systemI began by looking at the Ankh, the Egyptian symbol for life/fertility. The Loop of the Ankh represents the feminine discipline or the womb, while the elongated section represent the masculine discipline or the penis. These two sacred units then come together and form life. This is a perfect representation of man and woman in perfect union. I then was led to study the symbol for mercury, which is used in botany to indicate a flower with both male and female reproductive organs.

This duality of meaning in symbols led me to the desire to study how I could physically combine other symbols and forms to create one form. Anamorphosis, from the Greek anamorphōsis meaning ‘transformation,’ from ana- ‘back, again’ + morphosis ‘a shaping’, became an interesting opportunity to do just this.

 

pages-for-blog-re-system2pages-for-blog-re-system-27
pages-for-blog-re-system4pages-for-blog-re-system5pages-for-blog-re-system8pages-for-blog-re-system6pages-for-blog-re-system7

pages-for-blog-re-system9

I want to explore this theme using the iconic faces of Donald Trump and Kim Kardashian as instigators. From a random vantage point or even from up close, the subject matter of the piece is evidently unclear, the image changes until the viewer arrives at a specific pre-set location, only then does the likeness reveal itself. This echoes our warped perception of figures in limelight; anything the media choose to present to the world is an engineered production and if taken out of its context it becomes incomprehensible. My aim is to stir ambivalence among the burners, for them to engage in discussion with one another about these two incredibly famous personalities and what they seemingly represent.

As a physical entity, the sculpture is purposefully made durable enough to be able to endure the brunt of any elicited reactions. Its exposed surfaces are smooth, an open invitation to graffiti, carve or deface in any manner possible. It is large enough to climb and to gather within as a group – it only takes a spontaneous suggestion from a creative festival goer to give the sculpture another unforeseen use.

pages-for-blog-re-system-new pages-for-blog-re-system-new2


The aim of my proposed sculpture is to provoke an exchange of opinions and interactions between burners. It depicts two iconic and highly controversial public figures who personify two tremendously important issues that we as a society face today; political and social change.

As festival goers approach the installation, and the two widely recognisable faces reveal themselves, comments about the likenesses will spiral inevitably highlighting or at least touching upon the shift that these two personalities represent.

The sculpture’s physical form comprises of several spatial elements that lend themselves to fostering the kind of debates that I wished to promote. The hollow centre creates an enclosure, to enable hosting or housing for a meeting, it gives its participants a sense of protection; this is an open forum, please take part. The raised base on the peripheries can act as stages or podia. The expansive smooth external surfaces can act as billboards or banners, the skin of the sculpture will bear the physical outcome of the issues discussed here.

Whether people get photographed with it, or whether they deface, damage or even burn it to the ground, I will have succeeded if among any of the interactions the agenda was heard and a heartfelt reaction was made.

2016-01-02-closeup


The sculpture will be made of 8mm CNC routed plywood sheets fixed to a heavy plywood formwork. Standing at 6m tall, one side will represent a 25:1 scale stencilled portrait of president-elect Donald Trump, the other side; the likeness of reality television personality and socialite Kim Kardashian. Much like the oblique anamorphosis incorporated in Holbien’s The Ambassadors, the sculpture’s subject matters will reveal themselves only from some 60m away, but from close up, the installation will seem like a mass of abstract wooden extrusions, something suggestive of an adult-sized climbing frame. Fluorescent LEDs recessed into junctions of the outer plywood skin layer will illuminate the piece at night.

2017-01-03-night-render


The pavilion achieves the incredible feat of allowing the viewer to have a personal and intimate connection with it whilst also allowing for reflection. The two images are intended to bring moments of delight to viewers to allow for interaction even from a distance.

Combined with its symbolic and evocative power, it should indeed conjure a deeper sense of place and self, and bring a subtlety and complexity to what might have been just another pavilion.

 

heartThe Heart is an internationally known Symbol for Love.

The Love Nest is a Pavilion designed for Burning Man as a destination to express your Love to another. Wedding ceremonies will take place within the Heart structure, this is the biggest gesture of Love, joining together as one, declaring your Love for everyone to see

The wooden hearts floating toward the sky create a Tower of Love

 

alexandrahorsman_lovenest_internalview

Inside the Love Nest

alexandrahorsman_lovenest_model

1:20 Model and Heart Bending

alexandrahorsman_lovenest_nighttimemodel

Love Nest – Night Time

 

Developing the Love Nest

The origin of the Heart Symbol

4

Symbols as a System

56

At Burning Man within the Temple (also known as the Temple of Love) people leave messages to remember there loved ones that they have lost, the temple is then burnt so the messages can get to those who are being remembered. The Idea of the below design was inspired by a book, being a place of words, people add to the pages of the book of love.7

Interlocking Hearts – Heart Tower

910The Tower

Every time someone is married within the Tower a coloured heart is added to the Structure. 11

Progression of the Form

Developing the design to be more fluid and natural, as love isn’t hard and spiky.

13

14

Bending Hearts

Looking at different ways of bending wooden Hearts to be able to work with the newly designed form and being able to attach to the ‘Ribs’ of the design. I looked at two ways of achieving this:

Laser Cutting

By laser cutting a line pattern into the heart I achieved a material that bends easily

Cutting and folding

Cutting a slit from the bottom of the heart to the centre and taking the two half and bending one on top of the other

Results – The Laser Heart bent easily but did not stay in place and became more fragile whereas the folded heart keeps its shape and is a more solid form15

16

The Love Nest – Initial Renders

17

The Love Nest – Initial Model

18

 

Folding Hearts – Further Research

Looking at what effects the curvature of the heart.

Variable – Length of cut for bending

Results – The Longer the cut the smoother the curve

 

19

Final Design – Love Nest

The Final Design looks at creating a form by connecting the folding hearts, removing the structural ‘Ribs’ from the previous design and creating a system to achieve a Form

20


Love Nest – Final Model

21

Love Nest – Internal Views

22

Love Nest – Lighting

23

Love Nest – Night Time