Current fourth year student, Paul Thorpe, has set up his own blog/website designed not only to display past and current projects but also areas of extracurricular activities and interests.
Please visit paul-thorpe.com.
My study about a custom G-Code for FDM 3d printing geometries based on a central axis (not necessarily a straight line! – any curve would do). Rather than printing layer by layer horizontal sections that are uneven and inefficient in terms of travel time, the slices are consistent and always perpendicular to the central axes. Moreover the transition between layers – rather than being done from a single point through a vertical motion which is the traditional approach – is a continuous gradual motion upwards, the travel path resembling a spiral, thus improving efficiency.
A small selection of photos from DS10s unit trip to Southern Spain.
For more Images follow: http://issuu.com/josh-haywood/docs/bewk?e=10839685/7097420
We are finalist for the Architizer A+ award with The Magic Garden, a project that was designed and built with the help of DS10 students last year. We are 1% away from victory and the votes finish this Friday. Please help – Vote for The Magic Garden! Below are the instructions for the vote. It is very simple but requires to “CONFIRM” the vote which is an extra step.
Here are couple pictures from our cross-crit today. Students are in the middle of BRIEF2B:REALISE. Big Thank You to our external crits Daehwa Kang, Associates at Zaha Hadid Architects, Stephen Melville, Director at Ramboll Computational Design, Harry Charrington, Course Leader of the University of Westminster, Gordon Shrigley, Unit Master of Diploma Studio 14.
Inti: The Incan Sun God, his face portrayed as a gold disk from which rays and flames extended. Inti is the Sun and controls all that implies: warmth, light and sunshine. During the festival of Inti Ramyi, held during the Summer Solstice, Inti is celebrated with much drinking, singing and dancing - special statues are made of wood are burned at the end of the festival. This sculpture is an extended physical manifestation of this; decadent ritualism and a spiritual experience.
‘Timber-Wave’; a plywood instillation emerging and crashing on to the desolate Black Rock Desert. This breaking wave a remnant of the retreating Quinn River, draws on imagery of both waves and dunes provoking thoughts of the original Burning Man Beach Parties and surfing counter culture. Simultaneously the design evokes concepts of the Silk Road as a mirage of a giant wave appearing from across the playa to be discover by wondering burners.
The design of the Timber Wave was driven by creating an interactive environment. In daytime, people are encourages to climb and search between the interwoven plywood structure. Open sun soaked communal areas create areas for group contemplation. Solitary areas for single travelers have also been designed as places of refuge from the intense sun, wind and dust storms hoping to encourage serendipity. At night the wave truly come alive as a monument to the sea. Bathed in varying blue tones of color the spectacular structure is a mysterious beacon within the dark playa.
‘Timber-Wave’ structure consists of 3 layers of 12 intersecting plywood ribbons. Each ribbon consists of a varying number of water bent plywood components con-caving and con-vexing together forming a rigid series of tensioned and compressed sections. The result is a homogeneous structure creating a beautiful ergonomically sized spaces. Each ribbon a series of circular penetrations in the form of an abstracted water pattern. Creating foot and hand holes for climbing as well as allowing dramatic shadows to be cast throughout the structure and across the playa. At night the penetrations allow the lighting of the instillation to spill across the playa and between the layers of the structure.
1:20 Scale Model