The Wishing Well

something caught in between dimensions – on its way to becoming more.

Summary

The Wishing Well is the physical manifestation, a snap-shot, of a creature caught in between dimensions – frozen in time. It is a digital entity that has been extracted from its home in the fractured planes of the mathematical realm; a differentially grown curve in bloom, organically filling space in the material world.

The notion of geometry in between dimensions is explored in a previous post: Shapes, Fractals, Time & the Dimensions they Belong to

 

Description

The piece will be built from the bottom-up. Starting with the profile of a differentially grown curve (a squiggly line), an initial layer will be set in pieces of 2 x 4 inch wooden studs (38 x 89 millimeter profile) laid flat, and anchored to the ground. Each subsequent layer will be built upon and fixed to the last, where each new layer is a slightly smoother version than the last. 210 layers will be used to reach a height of 26 feet (8 meters). The horizontal spaces in between each of the pieces will automatically generate hand and foot holes, making the structure easily climbable. The footprint of the build will be bound to a space 32 x 32 feet.

The design may utilize two layers, inner and out, that meet at the top to increase the structural integrity for the whole build. It will be lit from within, either from the ground with spotlights or with LED strip lights following patterns along the walls.

Different Recursive Steps of a Dragon Curve

Ambition

At the Wishing Well, visitors embark on a small journey, exploring the uniquely complex geometry of the structure before them. As they approach the foot of the well, it will stand towering above them, undulating organically across the landscape. The nature of the structure’s curves beckons visitors to explore the piece’s every nook and cranny. Moreover, its stature grants a certain degree of shelter to any traveller seeking refuge from the Playa’s extreme weather conditions. The well’s shape and scale allows natural, and artificial, light to interact in curious ways with the structure throughout the day and night. The horizontal gaps between every ‘brick’ in the wall allows light to filter through each layer, which in turn casts intriguing shadows across the desert. This perforation also allows Burners to easily, and relatively safely, scale the face of the build. Visitors will have the opportunity to grant a wish by writing it down on a tag and fixing it to the well’s interior.

171108 - Burning Man Timber Brick Laying Proposal View 2.jpg

 

Philosophy

If you had one magical (paradox free) wish, to do anything you like, what would it be?

Anything can be wished for at the Wishing Well, but a wish will not come true if it is deemed too greedy. Visitors must write their wish down on a tag and fix it to the inside of the well. They must choose wisely, as they are only allowed one. Additionally, they may choose to leave a single, precious, offering. However, if the offering does not burn, it will not be accepted. Visitors will also find that they must tread lightly on other people’s wishes and offerings.

The color of the tag and offering are important as they are associated with different meanings:

  • ► PINK – love
  • ► RED – happiness, joy, success, good luck, passion, vitality, celebration
  • ► ORANGE – change, adaptability, spontaneity, concentration
  • ► YELLOW – nourishment, warmth, clarity, empathy, being free from worldly cares
  • ► GREEN – growth, balance, healing, self-assurance, benevolence, patience
  • ► BLUE – conservation, healing, relaxation, exploration, trust, calmness
  • ► PURPLE – spiritual awareness, physical and mental healing
  • ► BLACK – profoundness,  stability, knowledge, trust, adaptability, spontaneity,
  • ► WHITE – mourning, righteousness, purity, confidence, intuition, spirits, courage

The Wishing Well is a physical manifestation of the wishes it holds. They are something caught in between – on their way to becoming more. I wish for guests to reflect on where they’ve been, where they are, where they are going, and where they wish to go.

171108 - Burning Man Timber Brick Laying Proposal View 1.jpg

Three-Dimensional Mid-Air Acoustic Manipulation

Lying somewhere between science and art, University of Tokyo scientists Yoichi Ochiai,  Takayuki Hoshi and Jun Rekimoto use precision acoustics to bring the beauty of sound waves to life in three dimensions.

More information here from the University of Tokyo, Nagoya Institute of Technology

Polystyrene beads self organising in mid air

Prototyping Architecture Conference at the Building Centre

Very inspiring conference today at the Building Centre.
The conference runs for 3 days (21st until 23rd of February). It brings together the work of architects, engineers, manufacturers, product designers, academics and artists to explore the importance of prototypes in the delivery of high quality contemporary design. Placing a particular emphasis on research and experimentation. Prototyping Architecture forms a bridge between architecture, engineering and art, with exhibits that are inventive, purposeful and beautiful.

Some highlights of today’s talks:

Sean Ahlquist‘s research MATERIAL EQUILIBRIA, which consists in the delicate and simultaneous relationship of articulated material behavior and differentiated structural form. This specific study investigates the variegation of knitted textiles, a jacquard weave of shifting densities, as it influences the structuring of a tensile spatial surface

– Manuel Kretzer’s Open Matter(s) network at   http://materiability.com/

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– The beautiful Shi Ling Bridge by Mike Tonkin, Tonkin Liu and Ed Clark http://www.arup.com/News/Events_and_exhibitions/Previous/ShiLingBridge.aspx

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– Maquette’s, models and full-scale sample productions in the exhibition

Suncatcher

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The design of Suncatcher has derived from a flock of birds following the sun.

How birds fly together is a fascinating, beautiful phenomenon, which is still progressively being researched under the theory of ‘Swarm Intelligence’. This movement is self organising, so there is not leader or hierarchy within the group. Instead they work together to form one single formation. The properties that emerge can only be obtained by the system as a whole, not its individual parts.

This interaction reflects the ethics of Burning Man and how each year individual people from all over the world collaborate together to create a self supporting community. Consequently, Suncatcher’s theoretical and physical formation emphasises aspects of Burning Mans principles, such as, communal effort, participation and decommodification.

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Physically, Suncatcher will demonstrate the dynamic movement of birds, which will both be a radical contrast to the flat surface of the desert, whilst also complementing the mountains that surrounds the site.

As the spaces created are emerged from the path of the sun; they provide orientation and framed views for participants to enjoy their surroundings.

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Different shadows are produced from this skin throughout the day, depending on the position of the sun, representing a continuous movement of the birds formation.

The title Suncatcher refers to an ornamental object which ‘catches the light’ it can be thought of as the optical equivalent of a wind chime. As the design is developed around the suns location and the skin ‘glows’ when  light is shone on it, exposing its complex structure and beautiful shadows.final16 final17

Using CNC to make a scale model at 1:4

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